Important: A relisting of these entries, grouped by category, can be found here. Any notes that follow each entry’s year of publication are annotations made by the author, which fall under copyright (special LOC registration © 2019 by Joel David & Amauteurish Publishing).
Aguila, Almond Pilar, Danilo Araña Arao, Alfonso Deza, Lourdes Portus, and Fernando Paragas, eds. Proceedings of the 8th ASEAN [Association of Southeast Asian Nations] Inter-University Conference on Social Development. CD-ROM format. Quezon City: University of the Philippines, Union Network International – Asia and Pacific, Free Trade Alliance, & National University of Singapore, 2008. Sheryl Rose M. Andes, “A Peek at the Winners of the Most Gender-Sensitive Film Awards of the Metro Manila Film Festival”; David R. Corpuz, “Subverting Zsa-Zsa Zaturnnah: A Critique of the Original Graphic Novel and Stage and Film Adaptations of Ang Kagila-gilalas na Pakikipagsapalaran ni Zsa-Zsa Zaturnnah [The Spectacular Adventures of Zsa-Zsa Zaturnnah]”; Joel David, “The Cold War and Marcos-Era Cinema in the Philippines”; Jongsuk Ham, “Online Games and Gender Issues in South Korea and the Philippines”; Roy Nicolas R. Molon Jr., “Women in a Better Light”; Danny Yu, “Gun-Toting Orientals: Global and Local Media Coverage of Andrew Cunanan and Cho Seung Hui.”
Aitken, Ian, and Camille Deprez, eds. The Colonial Documentary Film in South and South-East Asia. Edinburgh: Edinburgh University Press, 2016. José B. Capino, “Figures of Empire: American Documentaries in the Philippines.”
Alatas, Syed Hussein. The Myth of the Lazy Native: A Study of the Image of the Malays, Filipinos and Javanese from the 16th to the 20th Century and Its Function in the Ideology of Colonial Capitalism. London: Frank Cass, 1977.
Almajose, Kathy, and JV Ramos. Kakaibang Tingin, Kakaibang Titig [Different Look, Different Gaze]: An Appreciation of the Golden Period in Philippine Cinema. [Batangas City]: La Abuela Publishing House, 2013.
Almario, Virgilio S., ed. 101 Filipino Icons. Quezon City: Adarna House, 2007.
AMAUAN Filipino American Multi-Arts Center and Anthology Film Archives. Films by Lino Brocka: A Retrospective, November 14 [to] December 2, 1990, American Film Archives. AMAUAN Notebook series 7.1. New York: AMAUAN Filipino American Multi-Arts Center, 1990.
Andres, Tomas D. How to Enjoy a Film Intelligently for Value Education. [Manila]: Our Lady of Manaoag Publishers, 1987.
Araneta-Cruz, Gemma. Fifty Years in Hollywood: The USA Conquers the Philippines. Quezon City: Gemma Araneta Cruz, 2019.
Arao, Danilo, ed. Global Makeover: Media and Culture in Asia. Seoul & Quezon City: Asian Media and Culture Forum & Development Center for Asia Africa Pacific, 2010. Conference proceedings, including Patrick F. Campos, “The New Fantasy-Adventure Film as Contemporary Epic, 2000-2007”; Joel David, “Orientalism and Classical Film Practice”; and Shirley Palileo-Evidente, “The Alternative Metaphor in Metaphors: Discursive ‘Readings’ on Language, Symbols and Enculturation in Philippine Cinema and other Media.”
Armes, Roy. Third World Film Making and the West. Berkeley, CA: University of California Press, 1987.
Arriola, Joyce L. Pelikulang Komiks [Comics Films]: Toward a Theory of Filipino Film Adaptation. Quezon City: University of the Philippines Press, 2019.
———. Postmodern Filming of Literature: Sources, Contexts, and Adaptations. Manila: University of Santo Tomas Publishing House, 2006.
Avellana, Daisy Hontiveros. The Drama of It: A Life on Film and Theater. Pasig City: Anvil Publishing, 2009. Author’s memoir of her life with Lamberto V. Avellana.
Balce, Nerissa. Body Parts of Empire: Visual Abjection, Filipino Images, and the American Archive. Ann Arbor: University of Michigan Press, 2016.
Barker, Joshua, Erik Harris, and Johan Lindquist, eds. Figures of Southeast Asian Modernity. Honolulu: University of Hawai’i Press, 2014. José B. Capino, “Domestic Helper.”
Barte, Gina V., ed. Panahon ng Hapon: Sining sa Digmaan, Digmaan sa Sining [The Japanese Period: Art in War, War in Art]. Studies on Philippine Art and Society, 1942-1945 series. Manila: Sentrong Pangkultura ng Pilipinas, 1992. Exhibition & conference publication, including Agustin Sotto, “War and the Aftermath in Philipine Cinema”; Motoe Terami-Wada, “Strategy in Culture: Cultural Policy and Propaganda in the Philippinwes, 1942-1945.”
Baumgärtel, Tilman, ed. Kino-Sine: Philippine-German Cinema Relations. Makati City: Goethe-Institut Manila, 2007.
———, ed. A Reader on International Media Piracy: Pirate Essays. MediaMatters series. Amsterdam: Amsterdam University Press, 2015. Tilman Baumgärtel, “The Triumph of the Pirates: Books, Letters, Movies, and Vegan Candy – Not a Conclusion.”
———, ed. Southeast Asian Independent Cinema. Hong Kong: Hong Kong University Press, 2012. Tilman Baumgärtel, “The Downside of Digital: A German Media Critic Plays Devil’s Advocate.”
Bautista, Mark. Beyond the Mark. Pasig City: VRJ Books, 2018.
Bayot, David Jonathan Y., ed. Inter/Sections: Isagani R. Cruz and Friends. Mandaluyong City: Anvil Publishing, 2010. “A festival of writings by mentors, colleagues, friends, and students – writing in honor of Isagani R. Cruz” (David Jonathan Y. Bayot).
Beller, Jonathan. Acquiring Eyes: Philippine Visuality, Nationalist Struggle, and the World-Media System. Quezon City: Ateneo de Manila University Press, 2006. “Directing the Real: Orapronobis [Fight for Us] against Philippine Totalitarianism (2000)”; “Third Cinema in a Global Frame: Curacha, Yahoo! and Manila by Night.”
Bernal, Ishmael, Jorge Arago, and Angela Stuart Santiago. Pro Bernal Anti Bio. Manila: ABS-CBN Publishing, 2017. Biography of Ishmael Bernal, authorizing Jorge Arago, completed by Angela Stuart Santiago.
Bernard, Carlo, and Doug Miro. The Great Raid. [City & publisher unkn.], 2001. Screenplay of The Great Raid, dir. John Dahl (Miramax, Marty Katz Productions, and Lawrence Bender Productions, 2005).
Bernardo, Sigrid Andrea. Kita Kita [I See You]: The Novel. Pasig City: VRJ Books, 2018. Novelization of Kita Kita, dir. Sigrid Andrea Bernardo (Spring Films, 2017).
———. Mr. and Mrs. Cruz: The Novel. Pasig City: VRJ Books, 2018. Novelization of Mr. and Mrs. Cruz, dir. Sigrid Andrea Bernardo (The IdeaFirst Co. & Films, 2018).
Bolisay, Richard. Break It to Me Gently: Essays on Filipino Film. Makati City: Everything’s Fine, 2019. Compiled primarily from author’s blog, Lilok Pelikula.
Buensalido, Joy, and Abe Florendo. 100 Women of the Philippines: Celebrating Filipino Womanhood in the New Millennium. Makati City: Buensalido & Associates, 1999. Including Ophelia Alcantara-Dimalanta, Zeneida Amador, Nora Aunor, Marilou Diaz-Abaya, Laurice Guilen, Impy Pilapil, Lea Salonga, Vilma Santos, Sharon Cuneta, Regine Velasquez, & Monique Wilson.
Cabagnot, Edward delos Santos. Martin Heidegger’s Being and Time and Manuel Silos’s Biyaya ng Lupa [Blessings of the Land]. Media and Communication series. Quezon City: University of the Philippines Press, 2018. A study of the 1927 Seit und Zeit text (in English translation) vis-à-vis Biyaya ng Lupa (Manuel Silos, dir., LVN Pictures, 1959).
Cajayon, Gene, John Manal Castro, and Dawn Bohulano Mabalon. The Debut: The Making of a Filipino American Film. Chicago: Tulitos, 2001. Regarding The Debut, dir. Gene Cajayon (5 Card Productions, Celestial Pictures, Center for Asian American Media, National Asian American Telecommunications Association, Visual Communication, 2000).
Campaign for Public Decency and Civic Morality, A. Manila: Santo Tomas, 1912.
Campos, Patrick F. The End of National Cinema: Filipino Film at the Turn of the Century. Quezon City: University of the Philippines Press, 2016.
Capino, José B. Dream Factories of a Former Colony: American Fantasies, Philippine Cinema. Minneapolis: University of Minnesota Press, 2010.
———. Martial Law Melodrama: Lino Brocka’s Cinema Politics. Berkeley: University of California Press, 2020.
Carballo, Bibsy M. Filipino Directors Up Close: The Golden Ages of Philippine Cinema, 1950-2010. Mandaluyong City: Anvil Publishing, 2010.
Carpio, Rustica C. Shuttling through Stage and Screen. Manila: Far Eastern University Publications, 2008.
Castillo, Celso Ad. Celso Ad. Castillo: An Autobiography & His Craft. [Manila]: CELCAS Film Entertainment, 2013.
Chua, Jonathan, Rosario Cruz-Lucero, and Rolando B. Tolentino, eds. A Reader in Philippine Film: History and Criticism (Essays in Honor of Nicanor G. Tiongson). Quezon City: University of the Philippines Press, 2017.
Ciecko, Anne Tereska, ed. Contemporary Asian Cinema: Popular Culture in a Global Frame. Asian Cinema series. New York: Berg, 2006. José B. Capino, “Philippines: Cinema and Its Hybridity (Or You’re Nothing but a Second-Rate, Trying Hard Copycat).”
Coenen, Michael. The Apocalypse of Marlon Brando: Death and Retribution in the Philippine Jungle. St. Paul, MN: Ex Nihilo Media, 2019. Fiction “inspired by real events.”
Constantino, Renato. Synthetic Culture and Development. Quezon City: Foundation for Nationalist Studies, 1984. Only known mention of cinema in the nationalist author’s texts (from Patrick D. Flores’s findings).
Cordero-Fernando, Gilda, and M.G. Chaves. Pinoy Pop Culture. [Manila]: Bench/Suyen Corp., G.C. Fernando, and M.G. Chaves, 2001.
Coronel, Sheila S., ed. From Loren to Marimar: The Philippine Media in the 1990s. Quezon City: Philippine Center for Investigative Journalism, 1990.
Cruz, Isagani R. Movie Times. Manila: National Book Store, 1984.
Cultural Center of the Philippines in Cooperation with the Centennial Commission. The CCP Centennial Honors for the Arts. Manila: CCP, 1999. Includes entries for Nora Aunor, Daisy Avellana, Ishmael Bernal, Salvador F. Bernal, Amelia L. Bonifacio, Ryan Cayabyab, Benjamin H. Cervantes, Manuel Conde, Ernani J. Cuenco, Mike de Leon, Narcisa B. de Leon, et al.
Cultural Center of the Philippines Library. Union Catalog on Philippine Culture: Film. CCP Library Research Guide Series no. 4. Manila: Cultural Center of the Philippines Library, 1990.
David, Joel. Book Texts: A Pinoy Film Course. Original digital edition. Quezon City: Amauteurish Publishing, 2016. Available exclusively on Ámauteurish! website.
———. Fields of Vision: Critical Applications in Recent Philippine Cinema. Book edition. Quezon City: Ateneo de Manila University, 1995.
———. Fields of Vision: Critical Applications in Recent Philippine Cinema. Digital edition. Quezon City: Amauteurish Publishing, 2014.
———. Manila by Night: A Queer Film Classic. Queer Film Classics series, eds. Thomas Waugh & Matthew Hays. Vancouver: Arsenal Pulp Press, 2017. A study of Manila by Night (Ishmael Bernal, dir., Regal Films, 1980).
———. Millennial Traversals: Outliers, Juvenilia, & Quondam Popcult Blabbery. Book edition. Quezon City: Amauteurish Publishing, 2019. Also available online as editions of UNITAS: Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society: Part 1 (Traversals within Cinema) in vol. 88, no. 1 (May 2015) and Part 2 (Expanded Perspectives) in vol. 89, no. 1 (May 2016).
———. The National Pastime: Contemporary Philippine Cinema. Book edition. Pasig City: Anvil Publishing, 1990.
———. The National Pastime: Contemporary Philippine Cinema. Digital edition. Quezon City: Amauteurish Publishing, 2014.
———, ed. Proceedings of the Whither the Orient: Asians in Asian and Non-Asian Cinema Conference, Kimdaejung Convention Center, Gwangju, Korea, 28-29 October 2006. Seoul: Asia Culture Forum, 2006.
———. Wages of Cinema: Film in Philippine Perspective. Book edition. Quezon City: University of the Philippines Press, 1998.
———. Wages of Cinema: Film in Philippine Perspective. Digital edition. Quezon City: Amauteurish Publishing, 2014.
David, Rina, and Pennie Azarcon de la Cruz. Towards Our Own Image: An Alternative Philippine Report on Women and Media. PWRC Pamphlet Series no. 1. [Metro Manila]: Philippine Women’s Research Collective, 1985. Continued in Wilhelmina S. Orozco’s Towards Our Own Image.
De Guzman, Nestor. Si Nora Aunor sa mga Noranian: Mga Paggunita at Pagtatapat [Nora Aunor to the Noranians: Remembrances and Confessions]. Milflores Publishing, 2005.
De la Cruz, Khavn, Dodo Dayao, and Mabie Alagbate. Philippine New Wave: This Is Not a Film Movement. Quezon City: Noel D. Ferrer, MovFest, and Instamatic Writings, 2010.
De la Paz, Cecilia S., and Patrick D. Flores. Sining at Lipunan [Art and Society]. Aklat Sanyata series. Quezon City: Sentro ng Wikang Filipino – Diliman, 2014. 2nd edition of Patrick D. Flores & Cecilia S. de la Paz’s Sining at Lipunan.
De la Torre, Visitacion “Chit” R. Cultural Icons of the Philippines. Makati City: Tower Book House, 2002.
De Vega, Guillermo. Film and Freedom: Movie Censorship in the Philippines. Manila: De Vega, 1975. Includes reviews of Lino Brocka’s Tubog sa Ginto (Lea Productions, 1970) and Celso Ad. Castillo’s Kung Bakit Dugo ang Kulay ng Gabi (AA Productions, 1973).
Del Mundo, Clodualdo Jr., ed. Making Waves: 10 Years of Cinemalaya. Mandaluyong City: Anvil Publishing, 2014.
———. Maynila: Sa mga Kuko ng Liwanag [Manila: In the Claws of Light], ’Merika [with Gil Jose Quito], at Alyas Raha Matanda [with Herky del Mundo]: Tatlong Dulang Pampelikula [Three Screenplays]. Manila: De La Salle University Press, 1992. Screenplays of Maynila: Sa mga Kuko ng Liwanag, dir. Lino Brocka (Cinema Artists, 1975) and ’Merika, dir. Gil Portes (Adrian Films, 1984).
———. Native Resistance: Philippine Cinema and Colonialism, 1898-1941. Manila: De La Salle University Press, 1998.
———, ed. Spirituality and the Filipino Film. Film and Faith series. Sta. Mesa City: Communication Foundation for Asia, 2010.
———. Writing for Film. [Manila]: Communication Foundation for Asia, 1981.
———, and Jose Mari Magpayo, eds. Philippine Mass Media: A Book of Readings. Metro Manila: Communication Foundation for Asia, 1986. Mario A. Hernando, “Against All Odds: The Story of the Filipino Film Industry (1978-1982)”; Bienvenido Lumbera, “Problems in Philippine Film History”; Eduardo Sazon, “Film Distribution and Exhibition.”
———, and Mike de Leon. Rizal [and] Bayaning 3rd World [3rd World Hero]: Dalawang Dulang Pampelikula [Two Screenplays]. Manila: De La Salle University Press, 2000. Screenplays of Rizal (dir. Mike de Leon, unfinished) and Bayaning 3rd World, dir. Mike de Leon (Cinema Artists, 2000).
———, and Shirley Lua, eds. Direk [Director]: Essays on Filipino Filmmakers. Critical Voices series. Eastbourne, East Sussex: Sussex Academic Press, 2019.
Del Rosario, Simeon G. The Subversive Impact: Sakada of Behn Cervantes (A Critique). Quezon City: Simeon G. del Rosario, 1976. A study of Sakada (Behn Cervantes, dir., Sagisag Films, 1976).
Deocampo, Nick. Beyond the Mainstream: The Films of Nick Deocampo. Ed. Lolita R. Lacuesta. Pasig City: Anvil Publishing, 1997. Screenplays of various films by the author.
———. Cine: Spanish Influences on Early Cinema in the Philippines. Vol. 1 of Reflections on One Hundred Years of Cinema in the Philippines series. Manila: Cinema Values Reorientation Program, National Commission for Culture and the Arts, 2007.
———. Eiga: Cinema in the Philippines during World War II. Vol. 3 of Reflections on One Hundred Years of Cinema in the Philippines series. Mandaluyong City: Anvil Publishing, 2016.
———. Film: American Influences on Philippine Cinema. Vol. 2 of Reflections on One Hundred Years of Cinema in the Philippines series. Mandaluyong City: Anvil Publishing, 2011.
———, ed. Lost Films of Asia. Mandaluyong City: Anvil Publishing, 2006.
———. Short Film: Emergence of a New Philippine Cinema. Ed. Alfred A. Yuson. Metro Manila: Communication Foundation for Asia, 1985.
———, ed. Sinegabay: A Film Study Guide. Mandaluyong City: Anvil Publishing, 2008.
Deyto, Epoy. Krisis at Pelikula: Mga Paunang Tala tungkol sa mga Imahe at Eksena sa Panahon ng Digma [Crisis and Film: Initial Notes about Images and Scenes during a Time of War]. Pasig City: tollidBilly & Shonenbat Collective, 2018. Available at the author’s Missing Codec blog.
———. The Years of Permanent Midnight and Other Unedited Essays. Pasig City: tollidBilly & Shonenbat Collective, 2018. Available at the author’s Missing Codec blog.
Deza, Alfonso B. Mythopoeic Poe: Understanding the Masa as Audience through the Films of Fernando Poe Jr. Manila: Great Books Publications, 2006.
Diamond Anniversary of Philippine Cinema. Brochure for the 43rd awards ceremony of the Filipino Academy of Movie Arts and Sciences. Manila: [Movie Workers Welfare Fund], 1994. Includes a filmography of Philippine productions from the beginning to 1993 prepared by Lynn Pareja; significant for being the first listing of Filipino movies made during the 1960s.
Diaz-Abaya, Marilou. José Rizal. Brochure for the film premiere. Quezon City: University of the Philippines College of Mass Communication, 1999.
Dimaranan, Irma V. Naglalayag [Silent Passage]. Quezon City: University of the Philippines Press, 2006. Screenplay of Naglalayag, dir. Maryo J. de los Reyes (Angora Films, 2004).
Directory of Filipino Women in Radio, TV & Film Media. [Manila]: National Commission on the Role of Filipino Women, National Printing Office, and Philippine Information Agency, 1992.
Downing, John, ed. Film & Politics in the Third World. New York: Autonomedia, 1986. Luis Francia, “Philippine Cinema: The Struggle against Repression.”
Fabie, Celine Beatrice. Mona Lisa: A Portrait from the Memoirs of a Grandmother. Parañaque City: Mona Lisa Publication, .
Fabros, David. Piolo, Believing: A Pictorial Biography of Piolo Pascual. Quezon City: Vibal Foundation, 2007.
Fajardo, Deo J. Robin Padilla: Bad Boy ng Showbiz [Bad Boy of Showbiz]. [Manila]: Concept Society, 1993.
Fantauzzo, Laurel. The First Impulse. Mandaluyong City: Anvil Publishing, 2017. On the unsolved September 2009 murder case of film critics Alexis Tioseco and his partner Nika Bohinc (Filipino and Slovenian respectively).
Feliciano, Gloria D., and Crispulo J. Icban Jr., eds. Philippine Mass Media in Perspective. Quezon City: Capitol, 1967. T.D. Agcaoili, “Movies.”
Feng, Peter X., ed. Screening Asian Americans. New Brunswick: Rutgers University Press, 2002. Rolando B. Tolentino, “Identity and Difference in ‘Filipino/a American’ Media Arts.”
Fernandez, Manuel B., and Ronald K. Constantino. A Tribute to the Movie Queen Carmen Rosales: Ang Tangi Kong Pag-ibig [My Only Love]. Makati City: DLD Publishing, 2013.
Fernandez, Marie P. My Life with my Brother Rudy Fernandez. [City unkn.]: Marie P. Fernandez, 2008.
Fernandez, Ricardo V., ed. Film Directory of the Philippines. [Manila: Philippine Motion Pictures Producers Association?], 1978.
Ferrer, Noel D. Mag-Artista Ka! Mga Dapat Mong Malaman Para Sumikat sa Showbiz sa Tamang Paraan, sa Tamang Panahon [Be a Star! What You Should Learn to Get Famous in Showbiz in the Right Way, at the Right Time]. Mandaluyong City: Anvil Publishing, 2015. Filipino version of Sisikat Din Ako!
———. Sisikat Din Ako! [I’ll Also Get Famous!] Your Guide to Making Your Mark in Show Business. Mandaluyong City: Anvil Publishing, 2015. English version of Mag-Artista Ka!
Film Academy of the Philippines. Filmography of Filipino Films, 1982. [Manila]: Film Academy of the Philippines, . Founding ceremony of what has been subsequently called Luna Awards.
Film Blockbusters from the Philippines. [Manila]: Manila International Film Festival, . “Dry run” for the regular MIFF, to be held starting the next year.
Film Development Council of the Philippines. Philippine Film Catalogue. Pasig City: Film Development Council of the Philippines, .
Film in South East Asia: Views from the Region (Essays on Film in 10 South East Asia – Pacific Countries). Hanoi: South East Asia – Pacific Audio Visual Archive Association, [date unkn.].
First Experimental Cinema of the Philippines Annual Short Film Festival, The: November 16-21, 1982, Manila Film Center, [Cultural Center of the Philippines] Complex. Manila: ECP, 1982.
Flores, Patrick D. Sites of Review: Critical Practice in Media. San Pablo City: Oraciones, 1996.
———, and Cecilia Sta. Maria de la Paz. Sining at Lipunan [Art and Society]. Aklat Sanyata series. Quezon City: Sentro ng Wikang Filipino – Diliman, 1997.
Focus on Filipino Films: A Sampling, 1951-1982. Manila: Manila International Film Festival, 1982.
Gamboa, Jose T. Brocka: The Filmmaker without Fear. Modern Heroes for the Filipino Youth series. Makati City: Bookmark, 2013.
Garcellano, Edel E. First Person, Plural: Essays. Quezon City: Edel E. Garcellano, 1987.
———. Interventions. Manila: Polytechnic University of the Philippines Press, 1998.
———. Knife’s Edge: Selected Essays. Ed. Caroline S. Hau. Quezon City: University of the Philippines Press, 2001.
Garcia, Fanny A., and Armando Lao, eds. Pitong Teleplay [Seven Teleplays]. Pasig City: Anvil Publishing, 1995. TV scripts by Ricky Lee, Armando Lao, Lualhati Bautista, Jose F. Bartolome, Rosalie Matilac, Dado C. Lumibao, and Fanny A. Garcia.
Garcia, Jessie B. Claudia Zobel: An Untold Story. Iloilo City: [publisher unkn.], 1984.
———. A Movie Album Quizbook. Iloilo City: Erehwon Books & Magazines, 2004.
———. Queen Vi: An Intimate Biography. Bacolod City: [publisher unkn.], 1984. On film star Vilma Santos; allegedly unauthorized and pulled from distribution after initial sales.
———. Showbiz Uncensored. [Iloilo City]: Moviola Publishing House, .
———. Stars in the Raw. Bacolod City: [publisher unkn.], 1982.
Gever, Martha, John Greyson, and Pratibha Parmar, eds. Queer Looks: Perspectives on Lesbian and Gay Film and Video. New York: Routledge, 1993. Nick Deocampo, “Homosexuality as Dissent / Cinema as Subversion: Articulating Gay Consciousness in the Philippines.”
Gomez, Jerome. Batch ’81: The Making of a Mike de Leon Film. Singapore: Asian Film Archive, 2017. Regarding Batch ’81, dir. Mike de Leon (MVP Pictures, 1982).
Goquingco, Leonor Orosa. Curtain Call: Selected Reviews, 1957-2000. Quezon City: University of the Philippines Press, 2001. Includes reviews of performances of film actor Nora Aunor at the Philippine Educational Theater Association.
Grant, Paul Douglas, and Misha Boris Anissimov. Lilas: An Illustrated History of the Golden Ages of Cebuano Cinema. Cebu City: University of San Carlos Press, 2016.
Guardiola, Juan, ed. Cinema Filipinas: Historia, teoría y crítica fílmica (1999-2009) [Philippine Cinema: History, Theory, and Film Criticism (1999-2009)]. [Andalucía]: Juna de Andalucía, Consejería de Cultura Fundación El Legado Andalusí, . Retrospective volume, with Spanish translations.
———. Imaginario colonial, El: Fotografia en Filipinas durante el periodo Español 1860-1898 [The Colonial Imaginary: Photography in the Philippines during the Spanish Period 1860-1898]. Barcelona: Casa Asia.
Guerrero, Rafael Ma., ed. Readings in Philippine Cinema. Manila: Experimental Cinema of the Philippines, 1983.
Guillermo, Alice. Images of Change: Essays and Reviews. Quezon City: Kalikasan Press, 1988.
Guneratne, Antony R., and Wimal Dissanayake, eds. Rethinking Third Cinema. New York: Routledge, 2003. Includes a consideration of Ishmael Bernal’s Himala [Miracle] (Experimental Cinema of the Philippines, 1982).
Gutierrez, Ben Paul B., ed. Cases on Arts and Culture Management in the Philippine Setting. Quezon City: University of the Philippines Press, 2003. Manuel C. Dioquino Jr., “E-mail Conversations with Keith [Sicat] and Sari [Dalena]” [married film directors].
Gutierrez-Ang, Jaime. Tanglaw Introduction to Film: An Outcomes-Based Text Manual in Film Aesthetics, Appreciation, Theory and Criticism for the Filipino Student. Manila: Mindshapers, 2014.
Halili, Servando D. Jr. Iconography of the New Empire: Race and Gender Images and the American Colonization of the Philippines. Quezon City: University of the Philippines Press, 2006.
Hanan, David, ed. Film in South East Asia: Views from the Region. Hanoi: Southeast Asia-Pacific Audiovisual Archive Association, 2001. Agustin Sotto, “Philippines: A Brief History of Philippine Cinema.”
Hanna, Monica, and Rebecca A. Sheehan, eds. Border Cinema: Reimagining Identity through Aesthetics. New Brunswick: Rutgers University Press, 2019. José B. Capino, “Filipinos at the Border: Migrant Workers in Transnational Philippine Cinema.”
Hau, Caroline S. Chinese Question, The: Ethnicity, Nation, and Region in and Beyond the Philippines. Quezon City: Ateneo de Manila University Press, 2014. Includes discussions of scriptwriter Ricardo Lee and producer Lily Monteverde (particularly Regal Films’ Mano Po [Your Blessing, Please] series).
———. Necessary Fictions: Philippine Literature and the Nation, 1946-1980. Quezon City: Ateneo de Manila University Press, 2000. “Alien Nation” discusses the characters of Quiroga in José Rizal’s Noli Me Tángere (1887), Ah Tek in Edgardo M. Reyes’s Sa mga Kuko ng Liwanag [In the Claws of Neon] (1967), and Wei-fung in Ricardo Lee’s “Huwag, Huwag Mong Kukuwentuhan ang Batang si Wei Fung” [Don’t, Don’t Tell Stories to Young Wei Fung] – works and/or authors involved in films; Necessary Fictions is complemented by another text by the same author, titled On the Subject of the Nation: Filipino Writings from the Margins, 1981-2004 (Quezon City: Ateneo de Manila University Press, 2004).
Hedman, Eva-Lotta E., and John T. Sidel. Philippine Politics and Society in the Twentieth Century: Colonial Legacies, Postcolonial Trajectories. Politics in Asia series. London: Routledge, 2000. Discusses the “mockery of mimicry” in the films of Joey de Leon and Rene Requiestas.
Hernandez, Eloisa May P. Digital Cinema in the Philippines, 1999-2009. Quezon City: University of the Philippines Press, 2014.
Hernando, Mario A., ed. Lino Brocka: The Artist and His Times. Manila: Sentrong Pangkultura ng Pilipinas, 1993.
Holmlund, Chris, ed. American Cinema of the 1990s. New Brunswick: Rutgers University Press, 2008. José B. Capino, “Cinema and the Usable Past.”
Holt, Elizabeth Mary. Colonizing Filipinas: Nineteenth-Century Representations of the Philippines in Western Historiography. Quezon City: Ateneo de Manila University, 2002. “History as Visual Spectacle”; “Filipinas and Photography.”
Hosillos, Lucila V. Movies in a Third World Country. Third World Studies Dependency series no. 15. [Quezon City]: Third World Studies Program, University of the Philippines College of Arts and Sciences, 1978.
Infante, J. Eddie. All the Stars in the Sky: An Autobiography. Manila: Front Page Newsmakers, 1978.
———. Inside Philippine Movies, 1970-1990: Essays for Students of Philippine Cinema. Quezon City: Ateneo de Manila University Press, 1991.
Ingawanij, May Adadol, and Benjamin McKay, eds. Glimpses of Freedom: Independent Cinema in Southeast Asia. Ithaca: Cornell Southeast Asia Program Publications, 2012. Tilman Baumgärtel, “The Piracy Generation: Media Piracy and Independent Film in Southeast Asia”; Eloisa May P. Hernandez, “The Beginnings of Digital Cinema in Southeast Asia”; Alexis A. Tioseco, “Like the Body and the Soul: Independence and Aesthetics in Contemporary Philippine Cinema”; John Torres, “Piracy Boom Boom.”
Intellectual Property Code of the Philippines and Related Laws: With Movie and Television Review and Classification Board (PD 1986), Videogram Regulatory Board (PD 1987), Children’s Television Act of 1997 and Others. Manila: Central Book Supply, [date unkn.].
Isaac, Allan Punzalan. American Tropics: Articulating Filipino America. Critical American Studies Series. Minneapolis: University of Minnesota Press, 2006. Includes discussions of Philippines-set mid-century Hollywood productions as well as Andrew Cunanan.
Ishizaka Kenji, ed. Philippine Film Festival: Fiesta of the Filmmakers. Introducing Southeast Asian Cinema series no. 3. Tokyo: Masaru Inoue, 1991.
———, ed. Symposium on Gerardo de Leon. Tokyo: Japan Foundation & ASEAN Culture Center, 1995.
Jameson, Fredric. The Geopolitical Aesthetic: Cinema and Space in the World System. Perspectives series. Bloomington: Indiana University Press, 1992. “Art Naïf and the Admixture of Worlds.” A discussion of Mababangong Bangungot [Perfumed Nightmare] (Kidlat Tahimik, dir., Zoetrope Studios, 1977).
Jimenez, Baby K. Ang True Story ni Guy, Ikalawang Aklat [The True Story of Guy, Volume Two]. Quezon City: Mass Media Promotions, 1983. On film actor Nora Aunor. In 2 vols.
———. Ang True Story ni Guy, Unang Aklat [The True Story of Guy, Volume One]. Quezon City: Mass Media Promotions, 1983. On film actor Nora Aunor. In 2 vols.
Joaquin, Nick [as Quijano de Manila]. Amalia Fuentes and Other Etchings. [Manila]: National Book Store, 1977.
———. Gloria Diaz and Other Delineations. [Manila]: National Book Store, 1977.
———. Joseph Estrada and Other Sketches. [Manila]: National Book Store, 1977.
———. Nora Aunor and Other Profiles. [Manila]: National Book Store, 1977.
———. Ronnie Poe and Other Silhouettes. [Manila]: National Book Store, 1977.
Kabristante, George Vail. Gabby [Concepcion]. Quezon City: Jingle Clan Publications, 1982.
Kalaw-Tirol, Lorna. Above the Crowd. Pasig City: Anvil Publishing, 2000. More showbiz-focused than Public Faces, Private Lives.
———. Public Faces, Private Lives. Pasig City: Anvil Publishing, 2000. Emphasizes less prominent celebrities than Above the Crowd.
Kapur, Jyotsna, and Keith B. Wagner, eds. Neoliberalism and Global Cinema: Capital, Culture, and Marxist Critique. New York: Routledge, 2011. Bliss Cua Lim, “Gambling on Life and Death: Neoliberal Rationality and the Films of Jeffrey Jeturian.”
Kasaysayan at Pelikula [History and Film]: 100 Years of Cinema in the Philippines. Manila: National Centennial Commission, Presidential Management Staff, and Movie and Television Review and Classification Board, 1998.
Keppy, Peter. Tales of Southeast Asia’s Jazz Age: Filipinos, Indonesians and Popular Culture, 1920-1936. Singapore: National University of Singapore, 2019.
Kim Youna, ed. The Precarious Self: Women and the Media in Asia. London: Palgrave Macmillan, 2012. Bliss Cua Lim, “Fandom, Consumption and Collectivity in the Philippine New Cinema: Nora and the Noranians.”
Kim Young-woo, ed. Centennial Anniversary of the Philippine Cinema: Cinema, as a Response to the Nation. Busan: Busan International Film Festival, 2018. Retrospective volume, with Korean translations.
King, Jenny. Great & Famous Filipinos. [Cainta, Rizal]: Worldlink Marketing Corp., 2002. Includes a number of pop-culture figures.
Kramer, Paul A. The Blood of Government: Race, Empire, the United States, and the Philippines. Chapel Hill: University of North Carolina Press, 2006. Includes accounts of Dean C. Worcester’s activities and banning of the newsreel coverage of the heavyweight championship fight between Jack Johnson and James J. Jeffries, where Johnson (a black man) defeated his white contender.
Kwon Dong Hwan. Westernized Visual Representation of Jesus and the Construction of Religious Meanings: A Reception Analysis of The Jesus Film (1979) among the Mangyan Tribes. Asbury Theological Seminary Series in Christian Revitalization Studies. Lexington, KY: Emeth Press, 2015. Study of The Jesus Film (John Krish & Peter Sykes, dirs., Inspirational Films & The Genesis Project, 1979).
Lacaba, Jose F. Showbiz Lengua: Chika and Chismax about Chuvachuchu [Showbiz Lingo: Small Talk and Gossip about Everything]. Mandaluyong City: Anvil Publishing, 2010. A “compilation of 68 columns that [the author] wrote for YES! Magazine from 2003 to 2009” (Jose F. Lacaba, Ka Pete blog, November 2010).
———, ed. The Films of ASEAN. Quezon City: Association of Southeast Asian Nations Committee on Culture and Information, 2000. Clodualdo del Mundo Jr., “Philippines.”
Lacuesta, Angelo Rodriguez. Contra Mundum on the Film Restoration of Nick Joaquin’s A Portrait of the Artist as Filipino. [Quezon City]: Miguel P. de Leon Publishing, 2015. Regarding A Portrait of the Artist as Filipino, dir. Lamberto V. Avellana (Diadem Productions & Cinema Artists Philippines, 1965).
Lanot, Marra PL. Deja Vu & Other Essays. Quezon City: University of the Philippines Press, 1999.
———. The Trouble with Nick & Other Profiles. Philippine Writers series. Quezon City: University of the Philippines Press, 1999. Includes “That Gal Named Guy” [nickname of film actor Nora Aunor].
Laurel, Pedro C. Jr., Ramonfelipe A. Sarmiento, and Rodolfo C. Vera. Tatlong Dulang Pampelikula [Three Screenplays]. Quezon City: University of the Philippines Press, 2003. Pedro C. Laurel Jr., “Ang Diego at Gabriela: Lagablab sa Ilocos” [The (story of) Diego and Gabriela: Firestorm in Ilocos]; Ramonfelipe A. Sarmiento, “Batingaw” [Chime]; Rodolfo C. Vera, “Senyor Pascual.”
Leavold, Andrew. The Search for Weng Weng. Melbourne: LedaTape Organisation, 2017. On the filming of The Search for Weng Weng documentary, dir. Andrew Leavold (Death Rides a Red Horse & Turkeyshoot Productions, 2013).
Lee, Ricky [as Ricardo Lee]. Brutal/Salome. [Quezon City]: Cine Gang, 1981. Back-to-back screenplays of Brutal, dir. Marilou Diaz-Abaya (Bancom Audiovision, 1980) and Salome, dir. Laurice Guillen (Bancom Audiovision, 1981).
——— [as Ricardo Lee]. Bukas … May Pangarap [Tomorrow … There’ll Be a Dream]. [Quezon City: Markenprint 1984]. Screenplay of Bukas … May Pangarap, dir. Gil Portes (Tri Films, 1984).
——— [as Ricardo Lee]. Moral. [Quezon City]: Seven-Star Productions, 1982. Screenplay of Moral, dir. Marilou Diaz-Abaya (Seven Stars Productions, 1982).
——— [as Ricardo Lee]. Salome. Trans. Rofel G. Brion. Madison: Center for Southeast Asian Studies, University of Wisconsin, Madison, 1993. Screenplay of Salome, dir. Laurice Guillen (Bancom Audiovision, 1981).
———. Sa Puso ng Himala [In the Heart of Miracle]. Quezon City: Philippine Writers Studio Foundation, 2012. Screenplay of Himala, dir. Ishmael Bernal, (Experimental Cinema of the Philippines, 1982), production notes, interviews.
——— [as Ricardo Lee]. Si Tatang at mga Himala ng Ating Panahon: Koleksyon ng mga Akda [Old Man and the Miracles of our Time: Collection of Writings]. Quezon City: Bagong Likha Publications, 1988. Screenplay of Himala, dir. Ishmael Bernal, (Experimental Cinema of the Philippines, 1982), review, and interview articles.
———. Si Tatang at mga Himala ng Ating Panahon: Koleksyon ng mga Akda [Old Man and the Miracles of our Time: Collection of Writings]. Quezon City: Writers Studio Foundation, 2009. Screenplay of Himala, dir. Ishmael Bernal, (Experimental Cinema of the Philippines, 1982), review, and interview articles.
———. Trip to Quiapo: Scriptwriting Manual. Quezon City: Bagong Likha Publishing, 1998.
Lehman, Peter, ed. Pornography and Culture. New Brunswick: Rutgers University Press, 2006. José B. Capino, “Asian College Girls and Oriental Men with Bamboo Poles: Reading Asian Pornography.”
Lent, John A. The Asian Film Industry. Texas Film Studies Series. Austin: University of Texas Press, 1990. “The last three chapters provide case studies of the film industry in three countries one in each of the main regions of Asia: India, Japan and the Philippines” (AbeBooks.com).
Lico, Gerard. Edifice Complex: Power, Myth and Marcos State Architecture. Quezon City: Ateneo de Manila University Press, 2003. “The Cultural Center of the Philippines Complex.”
———. Pa(ng)labas: Architecture + Cinema – Projection of Filipino Space in Film. Manila: National Commission for Culture and the Arts, 2009.
Lim, Bliss Cua. Translating Time: Cinema, the Fantastic, and Temporal Critique. Durham: Duke University Press, 2009.
Lim, Jeanne. Tradisyon: Two Screenplays. Tubao Book Series of the Davao Writers Guilde. Manila: National Commission for Culture and the Arts, 2009.
Lim, Jonah Añonuevo. Creative Imaging: An Introduction to Film. [Dumaguete City]: Jonah Lim, 1998.
Lim, Michael Kho. Philippine Cinema and the Cultural Economy of Distribution. Cham, Switzerland: Palgrave Macmillan, 2019.
Lo, Ricardo F. Conversations with Ricky Lo. Mandaluyong City: Anvil Publishing, 2001.
———. Star Studded. Makati City: Virtusio Books, 1995.
Loriga, Renato. Autohystoria: Visioni postcoloniali del nuovo cinema filippino [Postcolonial Visions of the New Filipino Cinema]. Studi postcoloniali di cinema e media series no. 4 (October). Canterano, RM: Aracne editrice, 2016. A study of Autohystoria (dir. Raya Martin, Cinematografica, 2007).
Lumbera, Bienvenido. Abot-Tanaw: Sulyap at Suri sa Nagbabagong Kultura at Lipunan [Purview: Glancing and Considering a Changing Culture and Society]. Quezon City: Linangan ng Kamalayang Makabansa, 1987.
———. Pelikula: An Essay on the Philippine Film. [Manila]: Sentrong Pangkultura ng Pilipinas, 1989. Later expanded in the Tuklas Sining series by Lumbera, Agustin Sotto, and Nestor U. Torre.
———. Pelikula: An Essay on the Philippine Film, 1961-1992. Tuklas Sining series. [Manila]: Sentrong Pangkultura ng Pilipinas, 1992. Continuation of Agustin Sotto’s Pelikula: An Essay on the Philippine Film, 1897-1960.
———. Re-Viewing Filipino Cinema. Mandaluyong City: Anvil Publishing, 2011. Includes articles previously published in Revaluation.
———. Revaluation: Essays on Philippine Literature, Cinema and Popular Culture. [Quezon City]: Index, 1984.
———. Revaluation 1997: Essays on Philippine Literature, Cinema and Popular Culture. Manila: University of Santo Tomas Publishing House, 1997. Reprint of 1984 edition with additional 22 articles and interview.
Maglipon, Jo-Ann Q. Primed: Selected Stories 1972-1992. Reportage on an Archipelago series. Pasig City: Anvil Publishing, 1993. “MIFFed” [Manila International Film Festival]; “Free the Artist!”; “The Republic of the Philippines vs. Lino Brocka, et al.”; “Canuplin: The Little Tramp Time Left Behind”; “Erap” [Joseph Estrada]; “Phantoms of the Cinema”; “Starlight, Starbright”; “Mega Mother Lily [Monteverde]: Superstar for All Seasons.”
Makabenta, Yen, ed. Book of the Philippines. Manila: Research and Analysis Center for Communications and Aardvark Associates, 1976. Includes biographies for Nora Aunor, Lamberto Avellana, et al.
Manzanilla, JPaul S., and Caroline S. Hau, eds. Remembering/Rethinking EDSA. Pasig City: Anvil Publishing, 2016. Joel David, “Grains & Flickers”; Patrick D. Flores, “A Cinema in Transition: Initial Incursions.”
Marchetti, Gina, and Tan See Kam. Hong Kong Film, Hollywood and the New Global Cinema. London: Routledge, 2007. Bliss Cua Lim, “Generic Ghosts: Remaking the New ‘Asian Horror Film.’”
Martin, Fran, Peter A. Jackson, Mark McLelland, and Audrey Yue. AsiaPacifiQueer: Rethinking Genders and Sexualities. Urbana: University of Illinois Press, 2008. Ronald Baytan, “Bading na Bading [Really Queer]: Evolving Identities in Philippine Cinema.”
McCarthy, Todd, and Charles Flynn. Kings of the B’s: Working within the Hollywood System. New York: E.P. Dutton, 1975. “Eddie Romero.”
Mella-Salvador, Shaira, Raymond Lee, and Laurice Guillen. Tanging Yaman [A Change of Heart], the Film Book: Screenplay. Screenplay of Tanging Yaman, dir. Laurice Guillen (Star Cinema, 2001).
Mendoza, Maine. Yup, I Am that Girl. Pasig City: Summit Publishing Co., 2017.
Mercado, Monina A., ed. Doña Sisang and Filipino Movies. [Quezon City]: Vera-Reyes, 1977.
Mijares, Primitivo. The Conjugal Dictatorship of Ferdinand and Imelda Marcos. San Francisco: Union Square Publications, 1976. “The Loves of Marcos,” on Ferdinand Marcos’s predilection for movie stars, having married a beauty queen and aspiring film performer.
———. The Conjugal Dictatorship of Ferdinand and Imelda Marcos: Revised and Annotated. Quezon City: Bughaw, 2017.
Momblanco, Maria Carmencita A. “Philippine Motion Pictures, 1908-1958: A Checklist of the First Fifty Years.” Master’s thesis, 2 vols. University of the Philippines, 1979.
Movie and Television Review and Classification Board. Implementing Rules and Regulations Pursuant to Section 3(a) of Presidential Decree No. 1986: The Movie and Television Review and Classification Board (MTRCB). Quezon City: Office of the President, Republic of the Philippines, 1997.
National Commission for Culture and the Arts. Bilang Filipinas: A Primer on Philippine Cultural Statistics. Manila: NCCA, 2017.
Ner, Sonia P., Louise Arianne C. Ferriols, and Angelo J. Aguinaldo. Filming in the Philippines. [Pasig City]: Film Development Council of the Philippines, .
Noriega, Bienvenido M. Jr. Soltero [Bachelor]. Trans. Rolando S. Tinio. Quezon City: New Day Publishers, 1985. Screenplay of Soltero, dir. Pio de Castro III (Experimental Cinema of the Philippines, 1984).
Ocampo, Ambeth. Bonifacio’s Bolo. Mandaluyong City: Anvil Publishing, 1995. Includes “The Nora Aunor Mystique.”
Orellana, Ricky. Mowelfund Film Institute Catalog. Quezon City: Mowelfund [Movie Workers Welfare Fund] Film Institute, 2001.
Orengo, Oscar Fernández. 44 cineastas Filipinos / 44 Filipino Filmmakers / 44 mga Sineastang Pilipino. [Manila]: Instituto Cervantes de Manila, 2011.
Orozco, Wilhelmina S. Towards Our Own Image: An Alternative Philippine Report on Women and Media. PWRC Pamphlet Series no. 2. [Metro Manila]: Philippine Women’s Research Collective, 1985. Continued from Rina David and Pennie Azarcon de la Cruz’s Towards Our Own Image.
Orsal, Cesar D. Movie Queen: Pagbuo ng Mito at Kapangyarihang Kultural ng Babae sa Lipunan [Formation of the Myth and Cultural Dominance of Women in Society]. Quezon City: New Day Publishers, 2007.
Orteza, Bibeth. Dolphy: Hindi Ko Ito Narating Mag-isa [I Did Not Attain This by Myself]. Quezon City: Kaizz Ventures, 2008. Authorized biography of actor-producer Rodolfo Vera Quizon, a.k.a. Dolphy.
Parks, Lisa, and Shanti Kumar, eds. Planet TV: A Global Television Studies Reader. New York: New York University Press, 2002. José B. Capino, “Soothsayers, Politicians, Lesbian Scribes: The Philippine Movie Talk Show.”
Pasadilla, Gloria O., ed. The Global Challenge in Services Trade: A Look at Philippine Competitiveness. Makati City: Philippine Institute for Development Studies and German Technical Cooperation, 2006. Gloria O. Pasadilla and Angelina M. Lantin, “Audiovisual Services Sector: Can the Philippines Follow ‘Bollywood’?”
Pascual, Chuckberry J. Pagpasok sa Eksena: Ang Sinehan sa Panitikan at Pag-aaral ng Piling Sinehan sa Recto [Scene Entrance: The Movie House in Literature and the Study of Selected Theaters along Recto]. Quezon City: University of the Philippines Press, 2016.
Patajo-Legasto, Priscelina, ed. Filipiniana Reader: A Companion Anthology of Filipiniana Online. Quezon City: University of the Philippines Open University, 1998. Clodualdo del Mundo Jr., “Komiks: An Industry, a Potent Medium, Our National ‘Book,’ and Pablum of Art Appreciation” & “Philippine Television: A History of Politics and Commerce”; Patrick D. Flores, “Philippine Cinema and Society”; Bienvenido Lumbera, “Brocka, Bernal & Co.: The Arrival of New Filipino Cinema” & “Problems in Philippine Film History”; Soledad S. Reyes, “The Philippine Komiks”; Nicanor G. Tiongson, “Becoming Filipino: 1565-1898”; Rolando B. Tolentino, “‘Inangbayan’ (Mother-Nation) in Lino Brocka’s Bayan Ko: Kapit sa Patalim (1985) and Orapronobis (1989).”
———, ed. Philippine Studies: Have We Gone Beyond St. Louis? Quezon City: University of the Philippines Press, 2008. Joel David, “Awake in the Dark: Philippine Film during the Marcos Era”; Eleanor Sarah D. Reposar, “Carlo Vergara’s Zsazsa Zaturnnah and the Tradition of Subversion in Philippine Komiks”; Johven [as Jovenal] D. Velasco, “‘Feminized’ Heroes and ‘Masculinized’ Heroines: Changing Gender Roles in Contemporary Phiippine Cinema?”
Paz, Consuelo J. Ginhawa, Kapalaran, Dalamhati: Essays on Well-being, Opportunity/Destiny, and Anguish. Quezon City: University of the Philippines Press, 2009. Patrick D. Flores, “Hanapbuhay sa mga Pelikula ni Nora Aunor” [Occupation in the Films of Nora Aunor].
Pelikula at Lipunan [Film and Society]: Festival of Filipino Film Classics and Short Films. [Quezon City]: National Commission for Culture and the Arts Cinema Committee, Film Academy of the Philippines, and Movie Workers Welfare Fund, 1994.
Perdon, Renato. Footnotes to Philippine History. Manila: Manila Prints, 2008. Includes a citation of Himala, dir. Ishmael Bernal (Experimental Cinema of the Philippines, 1982), in discussing religious belief.
Pertierra, Raul. The Anthropology of New Media in the Philippines. Quezon City: Institute of Philippine Culture, Ateneo de Manila University, 2010.
———, and Eduardo F. Ugarte, eds. Cultures and Texts: Representations of Philippine Society. Quezon City: University of the Philippines Press, 1994.
Philippine LGBT-Related Films, Including: Masahista [Masseur], Aishite Imasu 1941: Mahal Kita [I Love You], Miguel/Michelle, Macho Dancer, Ang Lalaki sa Buhay ni Selya [The Man in Selya’s Life], The Blossoming of Maximo Oliveros, Paper Dolls (film), Twilight Dancers, Burlesk King, Markova: Comfort Gay. [Toronto: Hephaestus Books, 2011.]
Philippine Screen Golden Book Album ng mga Artista [Album of Actors], The: Favorite Movie Stars with Autographed Fotos. [Manila: Philippine Screen Publishing Co., 1952.]
Philippines Bureau of Export Trade Promotion. A Profile on Motion Pictures. Product Profile series. [Manila]: Product Research and Strategy Group, Bureau of Export Trade Promotion, Department of Trade & Industry, 1989.
Philippines Bureau of Internal Revenue. Cinematographic Film Regulations: Administrative Order No. 50. Manila: Bureau of Internal Revenue, 1918.
Pichay, Nicolas B. A Guide to the Intellectual Property Code of the Philippines: Understanding the Law, Empowering the Artist. Mandaluyong City: Anvil Publishing, 2010.
———. Maxie: Book & Lyrics by Nicolas B. Pichay, Adapted from the Screenplay of Michiko Yamamoto. Manila: University of Santo Tomas Publishing House, 2017. Based on Ang Pagdadalaga ni Maximo Oliveros [The Blossoming of Maximo Oliveros], dir. Aureaus Solito (Cinemalaya & UFO Pictures, 2005).
Pilapil, Pilar V. The Woman without a Face: The Life Story of Pilar Pilapil. Pasig City: Pilar Pilapil Foundation, 2006.
Presidential Decree No. 1986 Creating the Movie & Television Review and Classification Board and Implementing Rules and Regulations, 2004. [Manila]: MTRCB, .
Protacio, Romeo M. Romualdo. Balik Tanaw [Recollection]: The Filipino Movie Stars of Yesteryears. [San Diego]: Asian Journal San Diego, .
Pulido, Rod. The Flip Side: A Filipino American Comedy. Chicago: Tulitos, 2002. Screenplay of The Flip Side, dir. Rod Pulido (Pure Pinoy, 2001).
Quinton, Rustum G. Ang Tunay na Kasaysayan ni Nora Aunor, Superstar [The True History of Nora Aunor, Superstar]. Manila: RMD&A Publishing, 1972.
Quirino, Joe. Don Jose and the Early Philippine Cinema. Quezon City: Phoenix Publishing House, 1983. Vol. 1 of the 3-vol. History of Philippine Cinema series; vols. 2 & 3 never published.
Rafael, Vicente L. White Love and Other Events in Filipino History. American Encounters/Global Interactions series. Durham: Duke University Press, 2000. “Patronage, Pornography, and Youth: Ideology and Spectatorship during the Early Marcos Years.”
Remoto, Danton. Rampa: Mga Sanaysay [Sashay: Essays]. Mandaluyong City: Anvil Publishing, 2008. Includes discourses on Freddie Aguilar, Nora Aunor, Ishmael Bernal, Darna, Joel Lamangan, Manila by Night, & Miss Saigon.
Reyes, Edgardo M. Mga Uod at Rosas [Caterpillars and Roses]. Quezon City: C & E Publishing, 2010. Novelization of Mga Uod at Rosas, dir. Romy V. Suzara (Ian Film Productions, 1982).
Reyes, Emmanuel A. Malikhaing Pelikula: Mga Sanaysay Tungkol sa Pelikulang Pilipino [Creative Film: Essays on Philippine Cinema]. Makati: Media Plus, 1996. Includes the screenplays of Dreaming Filipinos (Manny Reyes Productions, 1991) and Suwapings [The Laughing Barrio] (Safari Films, 1994), both directed & written by the author.
———. Notes on Philippine Cinema. Manila: De La Salle University Press, 1989.
Rice, Mark. Dean Worcester’s Fantasy Islands: Photography, Film, and the Colonial Philippines. Ann Arbor: University of Michigan Press, 2014.
Rivera, Frank G., and Mars Ravelo. Frank G. Rivera’s Darna, Etc.: Screenplays Based on Characters Created by Mars Ravelo. Manila: University of Santo Tomas Publishing House, 2003.
Rodriguez, Simon Godfrey, Nina Macaraig-Gamboa, and Wylzter Gutierrez. Legacy. Modern Heroes for the Filipino Youth series. Makati City: Bookmark & Studio Graphics Corp., 2015. On film and theater director Lamberto V. Avellana.
Rotea, Hermie. Marcos’ Lovey Dovie. Los Angeles, CA: Liberty Publishing, 1983. On the affair between then-President Ferdinand E. Marcos and Dovie Beams, star of Maharlika (dir. Jerr Hopper, Roadshow Films International & Solar Films, 1970).
Routledge Encyclopedia of Films. Abingdon, OX: Routledge, 2014. José B. Capino, “Manila: In the Claws of Neon / Maynila: Sa mga Kuko ng Liwanag.” Dir. Lino Brocka (Cinema Artists, 1975).
Salazar, Zeus A., Agustin Sotto, and Prospero Reyes Covar. Unang Pagtingin sa Pelikulang Bakbakan: Tatlong Sanaysay [A First Glance at the Fight Film: Three Essays]. Manila: Sentrong Pangkultura ng Pilipinas, 1989.
Salumbides, Vicente. Motion Pictures in the Philippines. Manila: V.S., 1952.
San Juan, E. Jr. From Globalization to National Liberation: Essays of Three Decades. Quezon City: University of the Philippines Press, 2008. “Allegories of National Liberation,” discussing Savage Acts and Fairs (supposedly American Social History Project, 1995 but unconfirmable) as well as Lino Brocka’s opposition to Imelda Marcos’s edifice complex.
San Juan, Edgar, Son-hwa Yi, Aramch’an Yi, and Hye-jong Mok. Kidlat Tahimik. JIFF ch’ongso series. [Jeonju]: Jeonju International Film Festival, 2011. On film director Kidlat Tahimik.
Sánchez, Louie Jon Agustin. “Ang Drama ng Ating Búhay: Isang Kasaysayang Pangkultura ng Teleserye sa Filipinas Hanggang 2016” [The Drama of Our Lives: A Cultural History of Teleseries in the Philippines Until 2016]. Doctoral dissertation. De La Salle University, 2018.
Sarmenta, Severino R. Jr., ed. Movies that Matter: A Festschrift in Honor of Nicasio D. Cruz, S.J. [Quezon City]: Office of Research and Publications, Loyola Schools, Ateneo de Manila University, 2008.
Sayles, John [also dir.]. Amigo: Screenplay. Culver City, CA: Anarchist’s Convention Films, 2009. Paywalled access available online via John Sayles Blog.
Screenwriters Guild of the Philippines. Artista sa Pelikula ’85 / Actors’ Yearbook ’85. [Manila]: Fil-Asia Graphics, 1986.
Shaw, Angel Velasco, and Luis H. Francia, eds. Vestiges of War: The Philippine-American War and the Aftermath of an Imperial Dream, 1899-1999. New York: New York University Press, 2002. In conjunction with an exhibit titled Vestiges of War, “a project of Asian/Pacific/American Studies Program and Institute, New York University”; Nick Deocampo, “Imperialist Fictions: The Filipino in the Imperialist Imaginary.”
Shiel, Mark and Tony Fitzmaurice, eds. Cinema and the City: Film and Urban Societies in a Global Context. Oxford: Blackwell Publishers, 2001. Rolando B. Tolentino, “Cityscape: The Capital Infrastructuring and Technologization of Manila.”
Shohat, Ella, and Robert Stam, eds. Multiculturalism, Postcoloniality, and Transnational Media. Rutgers Depth of Field Series. New Brunswick: Rutgers University Press, 2003. Talitha Espiritu, “Multiculturalism, Dictatorship, and Cinema Vanguards: Philippine and Brazilian Analogies.”
Siguion-Reyna, Armida, and Nelson A. Navarro. Armida. Quezon City: ABS-CBN Publishing, 2015. Comprising “The Unfinished Memoirs” by Armida Siguion-Reyna and “Armida Siguion-Reyna: The Singer and the Song” by Nelson A. Navarro.
Silver Book: A Movie Directory of the Philippines. [City & publisher unkn.], 1949.
Silverio, Julio F. Sulyap sa Buhay ng mga Artistang Pilipino [Glimpse into the Life of Philippine Movie Actors]. Manila: National Book Store, 1973.
Solomon R. Guggenheim Museum. Empire and Memory: Repercussions and Evocations of the 1899 Philippine-American War. [New York: Solomon R. Guggenheim Museum, 1999.]
Sotto, Agustin. Pelikula: An Essay on the Philippine Film, 1897-1960. Tuklas Sining series. [Manila]: Sentrong Pangkultura ng Pilipinas, 1992. Continued in Bienvenido Lumbera’s Pelikula: An Essay on the Philippine Film, 1961-1992.
———, and Marilou Diaz-Abaya. Political and Social Issues in Philippine Film: Two Perspectives. Political and Social Change Working Paper Series, No. 12. Canberra, Australia: Department of Political and Social Change, Division of Politics and International Relations, Research School of Pacific and Asian Studies, Australian National University, .
Sulong Pilipina! Sulong Pilipinas! [Forward Filipina! Forward Philippines!] A Compilation of Filipino Women Centennial Awardees. Manila: Women Sector [of the] National Centennial Commission, 1999. Includes Liwayway A. Arceo, Fides S. Asensio, Nora Aunor, Daisy H. Avellana, Susana C. de Guzman, Narcisa B. de Leon, et al.
Tadiar, Neferti Xina M. Fantasy-Production: Sexual Economies and Other Philippine Consequences for the New World Order. Hong Kong: Hong Kong University Press, 2004. “Himala, Miracle: The Heretical Potential of Nora Aunor’s Star Power.”
Tam Kwok-kan, Wimal Dissanayake, and Terry Siu-han Yip, eds. Sights of Contestation: Localism, Globalism and Cultural Production in Asia and the Pacific. Hong Kong: Chinese University Press, 2002. Rolando B. Tolentino, “Subcontracting Imagination and Imageries of Bodies and Nations: The Philippines in Contemporary Transnational Asia Pacific Cinemas.”
Tiongson, Nicanor G. Cinema of Manuel Conde, The. Manila: University of Santo Tomas Publishing House, 2008.
———, ed. Film. Vol. 6 (of 12 vols.) of Cultural Center of the Philippines Encyclopedia of Philippine Art. Manila: Sentrong Pangkultura ng Pilipinas, 2018. 2nd edition of CCP Encyclopedia of Philippine Art.
———, ed. Philippine Film. Vol. 8 (of 10 vols.) of CCP [Cultural Center of the Philippines] Encyclopedia of Philippine Art. Manila: Sentrong Pangkultura ng Pilipinas, 1994.
———, ed. Tuklas Sining [Art Discovery]: Essays on the Philippine Arts. Manila: Sentrong Pangkultura ng Pilipinas, 1991.
———, ed. The Urian Anthology 1970-1979. Quezon City: Manuel L. Morato, 1983.
———, ed. The Urian Anthology 1980-1989. Manila: Antonio P. Tuviera, 2001.
———, ed. The Urian Anthology 1990-1999. Quezon City: University of the Philippines Press, 2010.
———, ed. The Urian Anthology 2000-2009: The Rise of the Philippine New Wave Indie Film. Quezon City: University of the Philippines Press, 2013.
Tobias, Mel. One Hundred Acclaimed Tagalog Movies: Sineng Mundo [Film World], Best of Philippine Cinema. Vancouver: Peanut Butter Publishing, 1998.
Tolentino, Rolando B. Contestable Nation-Space: Cinema, Cultural Politics, and Transnationalism in the Marcos-Brocka Philippines. Quezon City: University of the Philippines Press, 2014.
———. Darna, ang Mahal na Birhen ng Peñafrancia, si Pepsi Paloma [Darna, the Blessed Virgin of Peñafrancia (and) Pepsi Paloma], Si. Kulturang Popular Series No. 3. Mandaluyong City: Anvil Publishing, 2004.
———, ed. Geopolitics of the Visible: Essays on Philippine Film Cultures. Quezon City: Ateneo de Manila University Press, 2000.
———. Indie Cinema at mga Sanaysay sa Topograpiya ng Pelikula ng Filipinas [Indie Cinema and Essays on the Topography of Philippine Cinema]. Manila: University of Santo Tomas Publishing House, 2016.
———. Keywords: Essays on Philippine Media Cultures and Neocolonialisms. Quezon City: Ateneo de Manila University Press, 2016.
———. National/Transnational: Subject Formation and Media in and on the Philippines. Quezon City: Ateneo de Manila University Press, 2001.
———. Paghahanap ng Virtual na Identidad [In Search of Virtual Identity]. Kulturang Popular Series No. 5. Mandaluyong City: Anvil Publishing, 2004.
———. Richard Gomez at ang Mito ng Pagkalalake, Sharon Cuneta at ang Perpetwal na Birhen at Iba Pang Sanaysay ukol sa Bida sa Pelikula Bilang Kultural na Texto [Richard Gomez and the Myth of Masculinity, Sharon Cuneta and the Perpetual Virgin and Other Essays about Movie Stars as Cultural Texts]. Mandaluyong City: Anvil Publishing, 2000.
———. Sipat Kultura: Tungo sa Mapagpalayang Pagbabasa, Pag-aaral at Pagtuturo ng Panitikan [Culture View: Toward the Free Reading, Study and Teaching of Literature]. Quezon City: Ateneo de Manila University Press, 2007.
———. Vaginal Economy: Cinema and Sexuality in the Post-Marcos, Post-Brocka Philippines. Durham: Duke University Press, 2011.
———, and Gary C. Devilles, eds. Kritikal na Espasyo ng Kulturang Popular [Critical Spaces of Popular Culture]. Quezon City: Ateneo de Manila University Press, 2015.
Torre, Nestor U. Pelikula: An Essay on Philippine Film, Touchstones of Excellence. Tuklas Sining series. [Manila]: Sentrong Pangkultura ng Pilipinas, 1994. Supplementary to Agustin Sotto’s and Bienvenido Lumbera’s Pelikula accounts.
Torres, Cristina Evangelista Torres. The Americanization of Manila: 1898-1921. Quezon City: University of the Philippines Press, 2010. Includes accounts of Dean C. Worcester’s activities.
Trzcinski, Kevin, and Owen Hughes. Philippines Media Yearbook. Hong Kong: Cornerstone Associates Ltd., 1996.
United States Business and Defense Services Administration’s Scientific, Motion Picture, and Photographic Products Division. Motion Pictures Abroad: Philippines. Washington, DC: US Government Printing Office, 1958.
United States Information Agency Office of Research. Audience Reaction to IMV Films. Series E-7-76. [Washington, DC]: USIA Office of Research, 1976. Audience tests in the Philippines, Colombia, and Lebanon.
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Yoneno-Reyes, Michiyo, ed. East Asian Popular Culture: Philippine Perspectives. Quezon City: University of the Philippines Asian Center, 2013.
Young Critics Circle[, Film Desk (of the)]. Sampúng Taóng Sine [Ten Film Years]: Philippine Cinema 1990-1999. Manila: National Commission for Culture and the Arts, 2002.
———. Sining ng Sineng Filipino [Art of the Filipino Film]. Aklat Sanyata series. Quezon City: University of the Philippines Sentro ng Wikang Filipino, 2009.
Yu-Jose, Lydia N., ed. The Past, Love, Money and Much More: Philippines-Japan Relations since the End of the Second World War. Quezon City: Ateneo de Manila University Press, 2008. Tito Genova Valiente, “The Japanese in the Filipino Cinematic Space.”
Yutaka Abe, and Hitō Hakengun. Dawn of Freedom: A Toho Super Production. [Manila: Eiga Haikyūsha, 1943.] Commemorative volume for Dawn of Freedom, dirs. Abe Yutaka and Gerardo de Leon (Eiga Haikyūsha & Toho, 1944).
Zafra, Jessica. Twisted Flicks. Mandaluyong City: Anvil Publishing, 2003.
Zyrus, Jake. I Am Jake. Mandaluyong City: Anvil Publishing, 2018. Transition account of the former Charice Pempengco.