Ámauteurish! is the open-access repository of the collected work of Joel David, set up and maintained as a single-source personal archival website. It includes out-of-print publications and links to still-available material. For list of announcements in preceding years (also in reverse chronological order), please click here for: 2018; 2017; 2016; 2015; and 2014. The articles from Millennial Traversals that appear in Book Texts have been restored, but only for the latter feature. If you’re using a smartphone or accessing this on an app, you can jump to the other major sections by choosing them from the Menu option above. In case the top-page menu is inaccessible, here are the sections and their features:
• About – provides extensive descriptions of the rationale as well as of the author;
• Books – contains my out-of-print books and links to published books, as well as edited volumes, chapters in anthologies, and papers in proceedings;
• Articles – contains materials published in journals (Non-Journal Articles and National Midweek Articles have their own separate pages);
• Reviews – contains my commentaries on films as well as occasional books and plays, arranged according to title of production (Auteurs & Authors reorders this same list according to each work’s creator);
• Remarks – contains my articles and statements published since 2016, opening with “Mega-Meta: A FilmCrit Folio”;
• Extras – would be mostly my non-written output, plus selected ephemera and juvenilia, opening with a “Special Folio on Manila by Night (1980)”; and
• Contact – provides a means by which I can be reached.
• Not included in the menu but a compilation of several sections above would be this Chronologically Arranged Listing of Publications, with its own accompanying Empiricals page.
First-time readers: This current section serves as the home (or front) page of the blog. Buttons for sharing on Facebook or Twitter, or by email, will appear at the bottom of each posting. The search box, copyright notice, and Creative Commons Attribution will also appear at the footer of every page on the website version of Ámauteurish! In general, when an entry’s permanent listing in this blog is unspecified, it will be found in its appropriate subcategory in the Extras section.
Researchers: Endnote numbers provide same-page two-way jumps – from any endnote number in the body text to the endnote itself, and from the latter’s numerical indicator back to the endnote’s position in the body text. As a demonstration, kindly click on the endnote number at the end of this paragraph.
Mobile device users: The website is best seen in its internet browser version. To make that possible, please click here.
May 14 – The PDF solutions:
• Some articles of mine that appeared in anthologies were originally linked to their Google Books copies. Since these had started behaving strangely, hiding pages at a stretch, I scanned the articles and uploaded them instead. Hence clicking on links provided in the entries for “Awake in the Dark: Philippine Film During the Marcos Era” (2008) and “Philippine Film History as a Site of Postcolonial Discourse” (2000) will now open scanned PDF files of these articles.
• Researchers who need to check inclusive page numbers and other publication info regarding my out-of-print books (specifically The National Pastime , Fields of Vision , and Wages of Cinema ) will find links to scanned PDFs of these books’ essential preliminary pages right before the digital editions’ table of contents. The preliminaries would comprise the title and copyright pages, the book edition’s table of contents, acknowledgments, and preface, foreword, and/or introduction – in short, nearly everything numbered by a roman numeral (visible or otherwise).
May 1 – SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema (co-written with Jo-Ann Q. Maglipon and published by Summit Media) is scheduled for an August 2019 release.
April 27 – I delivered a plenary lecture at the International Conference on Ethical Literary Criticism: Celebrating Literature as a Distinctive Ethical Expression, held at the University of Santo Tomas and sponsored by the UST Office of the Scholar-in-Residence/UNITAS Office, in cooperation with the Research Center for Culture, Arts, and Humanities, Faculty of Arts and Letters, Department of Literature, and the International Association for Ethical Literary Criticism. The material I read, titled “Auteurs & Amateurs: Toward an Ethics of Film Criticism ,” is posted herewith.
April 22 – I restored an article, “Problems in Philippine Film Awards,” originally a memorandum submitted to my colleagues at the University of the Philippines Film Institute. It initially appeared as an entry in Millennial Traversals but had to be taken out because of its incompatibility with the rest of the contents. It now appears in the “Mega-Meta: A FilmCrit Folio” feature that opens the website’s Remarks section.
April 12 – I have reformatted all the blog’s bibliographic and filmographic listings to feature hanging indentations. This includes the entries in the Reviews and Auteurs & Authors sections as well as in the Chronologically Arranged Listing of Publications special feature.
March 25 – “A Salute to Our Pinay Filmmakers” is a short statement I originally posted on Facebook, in recognition of the innovative contributions of women directors to the local rom-com genre. This entry will be listed in the Remarks section of this website.
March 19 – A PDF file of the introduction I wrote for Two Women as Specters of History: Lakambini and Indigo Child by Rody Vera, titled “Theater, Film, & Everything In-Between,” is now listed in the Books section’s Chapters in Anthologies subsection. The book is published by the Ateneo de Manila University Press and may be ordered from the publisher’s website.
January & February 2019
Site maintenance & copyright processes.
 Endnotes will be located at the end of an article’s body text, before any list of works cited. To return to the position of the endnote indicator in the body text, please click on the number immediately preceding this note.