For list of announcements in preceding years (also in reverse chronological order), please click here for: 2016; 2015; and 2014. This page serves as the home (or front) page of the blog; if you’re using a smartphone or accessing this on an app, you can jump to the other major sections by choosing them from the Menu option above. The search box, copyright notice, and Creative Commons Attribution will also appear at the bottom of every page on the website version of Ámauteurish! In general, when an entry’s permanent listing in this blog is unspecified, it will be found in its appropriate year in the Extras section. For researchers: Endnote numbers provide same-page two-way jumps – from any endnote number in the body text to the endnote itself, and from the latter’s numerical indicator back to the endnote’s position in the body text. As a demonstration, kindly click on the endnote at the end of this paragraph.
September 18 – My review of Treb Monteras II’s Respeto, originally published in The FilAm, has been corrected and updated, with the same title: “Film May Be Dead, but Film Culture Is Alive and Well.” Some bases for the corrections may be found in the record of exchanges that I kept: “Source Exchange for Review of Respeto.” For now, this article will be maintained in this blog’s Remarks section.
August 25 – Videos on Ámauteurish! (posted on the Extras page) are now sourced from Vimeo instead of YouTube.
August 18 – “Film May Be Dead, but Film Culture Is Alive and Well” is my review, published at The FilAm, of Treb Monteras II’s Respeto. For the bases of some claims made in the review, see “Source Exchange for Review of Respeto.”
August 13 – “Source Exchange for ‘The Transnational Pastime’” is the original material for “The Transnational Pastime: An Interview with Joel David,” conducted by Paul Douglas Grant, a professor of film at the University of San Carlos in Cebu City, and published in the June 2017 (volume 4, number 1) issue of Plaridel.
August 6 – Two-way page jumps are now available for all articles with endnotes. This means the reader may click on an endnote number in the body text to be able to read the endnote; afterward, clicking on the endnote’s numerical indicator will return the reader to her previous position in the body text. This feature will be incorporated in the introduction to this page.
July 17 – I delivered a lecture titled Understanding Film & Culture, from 1:30 p.m. to 4 p.m., at the Bonifacio Hall of the Polytechnic University of the Philippines. The invitation was extended by Evangelina S. Seril (Dean of the College of Arts and Letters) via Gigi Felix-Velarde David, a professor at PUP’s Theater Arts program, who also provided the rather smallish accompanying pic.
July 4 – A 12-page interview article (including an extensive Q&A) by Paul Douglas Grant, a professor of film at the University of San Carlos in Cebu City, titled “The Transnational Pastime: An Interview with Joel David,” appears in the volume 4, number 1 (June 2017) issue of Plaridel, the journal of the University of the Philippines’s College of Mass Communication.
June 19 – In what is turning into a tradition of its own, the scheduled June release of SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema has been moved once more to (at the very latest) early September.
May 16 – I delivered a paper titled “Rusty Arms and Itchy Fingers: A Cultural Perspective on President Duterte’s War on Drugs,” at the 5th International Conference on State Violence and Trauma, sponsored by the Gwangju Trauma Center in Gwangju Metropolitan City, South Jeolla Province, Korea. The conference was part of the 2017 Gwangju Asia Forum and is observed in commemoration of the May 18, 1980, uprising of the people of what was then Gwangju City against militarization and tyranny. A copy of my paper, translated as “녹슨 팔과 가려운 손가락; 두테르테 대통령의 마약과의 전쟁에 대한 문화적 시각,” appears in the proceedings.
April 3a – The Digital Object Identifiers that are available in my list of Journal Publications have now been included as links to their respective publications, following Crossref prescriptions. Articles whose DOIs lead to a paywall will still have alternate links to PDF transcriptions.
April 3b – One further delay, for editorial and production reasons, has resulted in a June target date for SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema. Apologies to everyone who saw March come and go without any trace of the publication.
March 23 – Old material I kept forgetting to upload: the (originally restricted) 1981 UNESCO Technical Report, prepared by Christopher Roads for the Marcos government, on “The Manila National Film Centre,” which provides insights on the origins of the building that would become the Manila Film Center, as well as the agency that would eventually be called the Experimental Cinema of the Philippines. This will be lodged in the Extras section of Ámauteurish!
March 22 – My article, titled “Remembering the Forgotten War: Origins of the Korean War Film and Its Development during Hallyu,” has come out in the February 2017 issue of Kritika Kultura as part of the “Hallyu in and for Asia” forum.
March 8 – I just found out that Amazon has announced on its website my forthcoming book with Arsenal Pulp Press’s Queer Film Classics series, a monograph on Ishmael Bernal’s 1980 release, Manila by Night. The announcement also specifies November 14, 2017, as the book’s date of availability. The Arsenal series is edited by Thomas Waugh and Matthew Hays. The title is also announced on my Amazon book page.
March 1 – Sidebar feature: “These Blogs” provides a background and rationale for the list of websites that appear at the bottom of the Ámauteurish! sidebar. It may be accessed at the sidebar itself, by clicking on the “These Blogs (for Me)” list title.
February 5 – Over five years in the making, the canon project of Summit Media is still on track with its March 2017 release. (I was on board as consultant and author of each entry’s mini-review.) Its title, however, has been modified with a plus sign: SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema.
January 28 – I have uploaded a transcription of my book review of Rolando B. Tolentino’s Contestable Nation-Space: Cinema, Cultural Politics, and Transnationalism in the Marcos-Brocka Philippines, published in this month’s issue of the International Journal of Asian Studies. Please see the Journal Articles section for a note on citing and referencing PDF transcriptions on this blog.
January 27a – I noticed that my How to Use Ámauteurish! blog page had a portion that has become increasingly useful as a stand-alone statement, so I spun it off as a Review & Recommendation Policies announcement.
January 27b – I finally managed to upload my information (as former Fulbright Student Program scholar) at the International Exchange Alumni directory of the US Department of State’s Bureau of Educational and Cultural Affairs. Fellow grantees who’re registered with the IEA website may find my profile by logging in and then clicking on this link.
January 22 – The website appearance of Ámauteurish! has been modified to include a Suggested Features sidebar.
January 13 – My review of Matthew Abaya’s Vampariah, out on The FilAm, is titled “Vampariah as Subversive Aswang Film.”
January 11 – Summit Media’s much-awaited SINÉ: The YES! List of 100 Films That Celebrate Philippine Cinema (wherein I wrote the mini-review for each entry and participated as consultant) will be available in March 2017. Also, an announcement I had missed out on, which came out in the October 2016 issue of YES! magazine, titled “Hurray!”
January 10 – “Distinguishing the Film Critic from the Reviewer,” an interview article by Vanessa B. Ira, published in March 1991 in the Times Journal and originally arranged by Anvil Publishing to publicize my first book, The National Pastime. This will be listed as a 1991 entry in the Extras section.
January 7 – I added a timeline of events in Philippine history and cinema to the “Annual Filipino Film Production Chart,” originally uploaded about a year ago.
January 3 – Mauro Feria Tumbocon’s summary of Philippine cinema circa 2016, titled “2016: Amazing Year for Filipino Cinema, New Grounds Broken,” published in GMA News Online. Vital for taking a global perspective, Mau being the founder and director of the San Francisco-based FACINE, which holds the longest running Fil-Am film festival.
 Endnotes will be located at the end of an article’s body text, before any list of works cited. To return to the position of the endnote indicator in the body text, please click on the number immediately preceding this note.