December 30 – Was hoping I could still post something substantial before the year closes but we’ll just have to wait till early 2021. Meanwhile, for those knee-deep into bibliographic science, I managed to compile cataloging-in-publication data from the National Library of the Philippines for all my digital-edition books; legwork was courtesy of Juan Miguel B. Manansala, now completing his training for the Philippine National Police. The CIP info will show up on the individual book page, after the … preface, I guess, and before the list of linked contents.
December 18 – A translation of the review by Chuckberry J. Pascual of my 2017 book Manila by Night: A Queer Film Classic, published in the 2020 issue of the University of the Philippines Film Institute’s relaunched Pelikula: A Journal of Philippine Cinema. This will be referenced in the blog sidebar and stored in the Remarks section.
December 16 – A listicle titled “8 Scholars and Critics Expanding Our Understanding of Culture,” uploaded a while back by Sheila O’Neill on the Ezvid Wiki website. (Thanks to Caroline Eliasson for the good tidings.)
December 11 – What used to be the Comprehensive Pinas Film Bibliography is on its way to becoming a downloadable e-book, titled Authoring Auteurs. Click the cover pic above to open the digital-edition page.
December 1 – I was happy enough when I was informed that I was listed in this year’s batch of winners of Trinity University of Asia’s Platinum Stallion Media Awards. The recognition concept was open, pragmatic, populist – something that I’d always advocated for. Then someone mentioned that I must be the only Philippine author given formally cited recognitions as film critic, first in 2016 at the Filipino Arts & Cinema International Festival in San Francisco, Calif., and now finally in Las Islas Pinas. Brava not to me, but to the TUA’s innovative Media and Communication Department. I may be platinum but never really a stallion, but I’ll keep working at being worthy of the title of film critic, just to be deserving of such a lovely and carefully considered prize. [Thanks to JC Velasquez for the pic.]
November 4 – Since I had lost all the electronic files for my out-of-print sole-authored book publications (except for the last, Wages of Cinema), I initially scanned both book and source pages with the intent of running them through Optical Character Recognition software. I gave up on my share of materials, as did my assistants with theirs, so I wound up having the first two books typed all over again. I copyedited the results as best I could then, but after a publisher recently requested a complete file of these texts, I decided to print out everything and go over them one more time.
October 31 – Reconsidering fonts because of adjustments WordPress made to the Elegant Grunge theme that I’m using, effectively replacing my original base font with a less satisfactory one. For now I’m reversing the serif and sans-serif choices, opting for headings in Abril Fatface (if it looks useful then it can call itself anything) and base in Cabin. Will appreciate responses or suggestions (please use the form in the Queries page).
October 16 – After years of searching, I managed to stumble across an upload of the Malakas at Maganda mural that greeted theatergoers at the Main Theater of the now-defunct Manila Film Center. It appeared as an incidental illustration of the work of Victor Cabisada Jr. and Peter Alcántara for the Philippine Children’s Medical Center in Quezon City, posted on John Paul “Lakan” Olivares’s Lakbay ng Lakan blog (worth a detour) and reprinted here with permission. It is now included in a final category, Illustrational Problematics, on the corrigenda page of Manila by Night: A Queer Film Classic. Click on pic to enlarge:
October 14 – The previously hastily posted file of the maiden (and only) issue of SineManila has been reprocessed and reuploaded, with each spread accorded its proper verso-recto presentation.
October 10 – I finally managed to complete scanning and uploading all my articles reprinted so far in The FilAm: Newsmagazine Serving Filipino Americans in New York. They can be found in the Articles section’s Magazines & Supplements page.
October 7 – A new sidebar feature is headed “Videos (Mostly) for Free!” and appears on the right-hand side of the blogsite, after the list of recommended “Facebook Pages & Groups.” Kindly update me if you see that I’ve overlooked any essential entries; please exclude websites that feature only trailers and/or announcements.
October 6 – The reprint of my tribute to Peque Gallaga in the June 2020 issue of The FilAm: Newsmagazine Serving Filipino Americans in New York, has been scanned and uploaded as a PDF file in the Notes section of “My Peque Gallaga Interview.”
October 4 – Another, possibly last, iteration of the Comprehensive Pinas Film Bibliography (see October 2 announcement), would be this chronological arrangement of all the entries, perfect for history buffs as well as casually curious pop-culture researchers.
October 2 – The Comprehensive Pinas Film Bibliography contains a new listing: in addition to the alphabetical arrangement according to author(s), I have uploaded a file where the entries were rearranged according to title. Click here to bypass the landing page.
September 20 – A further addition to the Extras’ Fil(m)ipiniana section: the Experimental Cinema of the Philippines’s first and only issue of its inhouse publication titled Jario Scenario. Curiously, all the ECP materials I have been able to upload so far came out in the same year, 1983.
September 19 – PDF scans of the original publication of two of my articles may be found in their versions in Ámauteurish!: “A Second Golden Age” (originally drafted in 1989) and “Ten Best Filipino Films Up to 1990.” In each article’s introduction, click on the pic of the first page of the published version to open the PDF file.
September 14 – Since I deactivated my official Facebook account, I can only post my tribute to a recently deceased friend, Laura Samson, via this piece. It will now constitute the epilogue to Wages of Cinema.
August 17 – I added a description of a problematic for Ishmael Bernal’s governmental links on page 56 of Manila by Night: A Queer Film Classic.
August 6 – My articles in the online The FilAm publication were occasionally getting reprinted in the monthly print version, titled The FilAm: Newsmagazine Serving Filipino Americans in New York. I finally managed to get around to listing them, in the blog’s Non-Journal Articles: Magazines & Supplements page.
August 6 – In the Categorized version of the Comprehensive Pinas Film Bibliography, I added a new subcategory titled Forthcoming Titles. These comprise books that have been announced but are still unavailable, and will not be listed in the other (Alphabetized and Reverse-Chronologized) versions of the biblio.
August 2 – Added an entry to “Memoirs & Bios” with Bibsy Carballo’s Filipino Directors Up Close.
July 30 – A new feature, to be continually updated: as my so-far final supplement to the Comprehensive Pinas Film Bibliography, I’m providing a “Memoirs & Bios” entry, which lists the relevant samples I’ve been able to access and comment on. The first batch of five includes works by Nestor de Guzman and Mario A. Hernando (as editors of Si Nora Aunor sa mga Noranian and Lino Brocka: The Artist and His Times respectively), Baby K. Jimenez (as author of both volumes of Ang True Story ni Guy), Jerry B. Grácio (with Bagay Tayo), and the team of Ishmael Bernal, Jorge Arago, and Angela Stuart-Santiago garnering a rave two-paragraph mention for Pro Bernal Anti Bio.
July 15 – I expanded the corrigenda file for Manila by Night: A Queer Film Classic (Vancouver: Arsenal Pulp Press, 2017), to include a list of problematics, referring, per the introduction, “to issues that occasionally are unresolved, or that otherwise would be too cumbersome to attend to within the physical and/or editorial limits of the publication. Most of these issues already inhered in the material during the process of its creation, although in one instance, the problem arose some time after publication. They range from the aforementioned complication in attribution, to a queer controversy involving a different film, to the usual quirks in historical interpretation.”
July 9 – “Mother Pinas, Onscreen,” originally published last June 13 as “Remembering Anita Linda: She Devoted Her Life So Completely to Her Craft that It Defined Her” in ABS-CBN News Channel, is my tribute to the late movie queen.
July 3 – Finally managed to complete scanning all my entries (and then some) in the second edition (2017) of the Cultural Center of the Philippines Encyclopedia of Philippine Art. I combined these with my entries in the first edition (1994), in one landing page, to which the entry in the Books menu’s Chapters in Anthologies section is linked.
June 28 – The Articles menu is also now a landing page that lists both journal groups and non-journal types of publications.
June 22 – The Comprehensive Pinas Film Bibliography is now a landing page instead of the categorized listing. It includes a new version of the biblio, where the entries are arranged in reverse-chronological order.
June 17 – A rare but useful reference: a PDF of Readings in Philippine Cinema, from 1983. Warning: file is large and may take a while to load.
June 13 – My first article after nearly a decade for ABS-CBN News Channel (ANCX, formerly ABS-CBNnews.com) is a tribute to a recently departed film goddess, titled “Remembering Anita Linda: She Devoted Her Life So Completely to Her Craft that It Defined Her.”
June 6 – I uploaded a corrigenda file for Manila by Night: A Queer Film Classic (Vancouver: Arsenal Pulp Press, 2017). This will be announced in the introduction to the book, also posted in Ámauteurish!
June 4 – The Comprehensive Pinas Film Bibliography has been updated to include the following items in the categorized version:
• in the Screenplays, Teleplays, Novelizations, Accounts section, essential accounts – by Eleanor Coppola, Peter Cowie, and Steven Travers – of the making of Francis Ford Coppola’s Apocalypse Now (1979);
• in the Conference Proceedings & Film/Festival Brochures section, a Bengali-language book, Nirmal Dhar’s Bhin Desher Cinema [Cinema from Foreign Countries]; and
• in the Auteurist Materials & Memoirs section, Phaidon Press’s decade-old entry in its Take 100 series, The Future of Film: 100 New Directors by Cameron Bailey et al.
May 12 – “My Peque Gallaga Interview,” published May 9, 2020, in Ámauteurish!, has been reprinted (in abridged form) as “Peque’s Rage: A Retelling,” in the May 12, 2020, issue of The FilAm. I have also posted a transcript of a mobile phone interview of Peque Gallaga by Monchito Nocon, for a commemorative volume that never came out. This will reside in the Extraneous section of the Extras page.
May 5 – The Special Issue on Film Criticism in the Philippines that I co-edited with Joyce L. Arriola, for the May 2020 issue of UNITAS: Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society, is now out. Please click on the pic of the cover page below to open the PDF file:
May 3 – Book Texts now contains “Fleshmongering” from way back 1990, in effect my contemporary response to careless critics-scholars who inexplicably insist on misnaming (not to mention misreading) historical realities in local cinema, with this article encapsulating the type of disgusting presumption I’m referring to. Past sex-film trends, however, connected with a wide sector of the audience, many of whom are still around, so I’m always confident in articulating the outrage of many, who may understandably prefer to remain silent. The only possible explanation for such irresponsible laziness is the contempt that experts from supposedly “higher” cultural forms and “prestigious” political advocacies and institutions feel qualified to impose on popular cultural phenomena. Popcult fuckwittism, is the soft-core coinage I would proffer.
April 28 – This may just be the moment when my out-of-print books are starting to command collector’s-item prices (see February 13 entry below). Here’s a second-hand copy of The National Pastime, which originally sold at less than 100 Philippine pesos in 1990, its year of publication:
Once more, the revised & updated – and reillustrated – 2014 digital edition awaits your consideration.
April 24 – All the long articles uploaded (as opposed to linked) to this blog now have jump links at the beginning, to enable readers to go to specific sections that they want to inspect. No more need to scroll down until you get to the portion you want to reach.
April 7 – At 5 a.m. today I provided a long-distance lecture for the class on Philippine history, literature, and performance of Professor Lisandro Claudio at the University of California, Berkeley. By way of preparation, the students were assigned to watch Ishmael Bernal’s Himala (Experimental Cinema of the Philippines, 1982) and read Nick Joaquin’s “Golden Girl” article from Nora Aunor and Other Profiles (Manila: National Book Store, 1977). I prepared an outline plus a PowerPoint presentation, and since the lecture raised mostly basic issues, I’ve opted to embed here the PPT slides instead, for what they’re worth (pls click on frame below to start the presentation):
March 28 – My article “Showbiz Babylon,” on the late-2019 Barretto family scandal, came out in the December issue of The FilAm newsmagazine. For a scanned copy, please click here. This link will appear in the acknowledgment of previous publication, at the bottom of the article.
March 5 – The years-in-the-making canon project on Philippine films will be revising its title, which is still to be determined. It has been undergoing layout and proofreading for the past few years and has been scheduled for release in the second half of 2020.
February 24 – I resisted from the start but I had to capitulate after I included a foreign book with an article on Philippine cinema in the Pinas film bibliography I uploaded late last year. The book, as it turned out, was simultaneously published as a scholarly journal’s double issue. So the bibliography’s Studies & Festschrifts section has now been updated and retitled Studies, Festschrifts, & Special Journal Issues. I also managed to include the output of the publishing arms of the most active contemporary producers, Viva Films’ VRJ Books as well as ABS-CBN Publishing, both of which emerged only within the last half-decade; these appear almost entirely in the categorized bibliography’s Screenplays, Teleplays, Novelizations, Accounts section. The charts and figures in the bibliographical essay have been adjusted accordingly.
February 14 – A bit of ancient history, as I went over some old and nearly worn-out news clippings and found the report of my winning in the first batch of the national university’s system-wide Outstanding Student Awards right after I finished my second undergraduate degree, in film. I listed this in the Extraneous section of the Extras page, but here’s the evidence so you don’t have to take the extra step of going elsewhere before finding it (click on pic to enlarge):
February 13 – As a pre-Valentine’s Day treat, here’s a sample of what you don’t get by using Ámauteurish! – having to pay nearly a thousand US dollars (before shipping & handling, plus taxes) for a used copy of the 1995 version of my book, which had originally sold for 150 Philippine pesos per copy:
Get a hold of the revised & updated 2014 digital edition – for free, instantaneously – by clicking here.
January 28 – In response to requests to elaborate further on an aspect of “Authoring Auteurs: A Bibliographical Essay” I posted earlier, here’s a mini-essay titled “The Aunor Effect in Philippine Film Book Publications.” This piece will reside in the Remarks section of this blog.
January 18 – First post of the year is an Amauteurish! exclusive: an article titled “Authoring Auteurs: A Bibliographical Essay,” to supplement the Comprehensive Pinas Film Biblio, also exclusive to this blog.
December 23 – An article by De La Salle University Professor Ronald Baytan, descriptively titled “On Bernal’s Homage to Manila: A Review of Joel David’s Manila by Night: A Queer Film Classic,” is out in the current issue (on the theme of Fandom and Cinephilia in Southeast Asia) of Plaridel: A Philippine Journal of Communication, Media, and Society: vol. 16, no. 2, December 2019, pp. 189-96.
December 22 – I finally managed to scan (in full color) the pages where my contributions appeared in the second edition of the Cultural Center of the Philippines Encyclopedia of Philippine Art. Although listed under Chapters in Anthologies in the Books section, a link will open a page where sets of PDF files are listed. Included as well are such extras as the Film (Volume 6) preliminaries, the pages where my entries as author and as source appear, and the earlier PDFs of my entries in the encyclopedia’s first edition.
December 4 – As a service to researchers (including myself), I have compiled and uploaded a bibliography on Philippine cinema, arranged according to a number of arbitrary categories. The same list is also available in an alphabetized arrangement.
November 15 – Kritika Kultura is calling for papers for a special issue on Genders and Sexualities in Asian Cinema, with February 2021 as target publication date. Deadlines and other specs are in the linked file, a list of possible topics is included, and the editor will be yours truly.
November 9 – The publication date of the special issue on Film Criticism in the Philippines that I’m co-editing with Joyce L. Arriola for UNITAS: Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society has been postponed, from November 2019 to May 2020. The issue will comprise a mix of scholarly articles as well as position statements (with corresponding sample critiques) from Filipino film scholars and critics.
October 31 – “Showbiz Babylon” is my Halloween-appropriate commentary on the Barretto family scandal, earlier published as “The Barrettos and the Privilege of Behaving Badly” in The FilAm. This will be stored in the Remarks section.
October 1 – “Third Cinema, Queer Technique, and Manila’s Multiple Characters” is a review by Josen Masangkay Diaz of my book Manila by Night: A Queer Film Classic, published by Arsenal Pulp Press in 2017. It’s in the Fall 2019 (no. 59) issue of Jump Cut: A Review of Contemporary Media and runs for three web pages; please click on the links at the lower-left side of each page to move to the succeeding page.
September 29 – Publication details now available for “Di/Visibility: Marks of Bisexuality in Philippine Cinema,” in the Journal of Bisexuality: Volume 19, Issue 3 (September 2019): pages 440-454. DOI:10.1080/15299716.2019.1656474.
September 20 – International Standard Book Numbers are now complete for all Ámauteurish Publishing books – one for each of two parts of this year’s Millennial Traversals book edition and one each for the 2014 digital edition of The National Pastime (originally printed in 1990), Fields of Vision (1995), and Wages of Cinema (1998). See the first (sole-authored) set of entries in the Books section.
September 17 – “Di/Visibility: Marks of Bisexuality in Philippine Cinema” is a survey article of mine, just out in the Journal of Bisexuality (paywalled, sorry). It’s listed under JoB’s Latest Articles, which comprise works that were “accepted for publication in this journal but not yet published in a volume/issue.” Its most definite citation detail at this time is DOI:10.1080/15299716.2019.1656474. I’ll be updating its entry in the Articles section once volume and issue details have been finalized.
September 1 – Another development in the millennial traversals of Millennial Traversals, as it were. Originally an Ámauteurish! e-book in two parts, now available as two open-access journal issues of UNITAS: Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society, the intervening print editions will be reprinted as a back-to-back single edition, the first dead-tree product of Ámauteurish Publishing. Confusing, I know, so just await further announcements if the idea of owning a physical copy of the material strikes your fancy. Just about to commence printing, as soon as I’m able to secure International Standard Book Numbers for them.
August 2 – In the event titled “From Screen and Stage to Page: Adapting Drama and Screenplays into Book Form,” held at Raffles Makati during this year’s edition of the Philippine Readers and Writers Festival, I half-jokingly warned the audience not to misspell the Ámauteurish! blog name. That’s because leaving out the first “u” will open this portal:
Then again, who can blame folks for typing less letters? Fortunately, as I said, “all web browsers allow their users to open multiple windows, so go ahead if you’re curious, open the amateurish.com page, but also make sure to look into amauteurish.com….”
Article & book writing & editing.
June 23 – Manoy Takes His Leave, a tribute to the late Eddie Garcia, published in The FilAm.
June 8 – New and improved Timeline of Events accompanies the Annual Filipino Film Production Chart (through 2016).
June 5 – Independent filmmaker Joselito (Jay) Altarejos posted an announcement of a screening of his excellent social-problem film, Jino to Mari, quoting a message I posted last April 9 on Facebook:
To enlarge, click on the above pic. I will be retaining this form of specialized content in the Remarks section.
May 14 – The PDF solutions:
• Some articles of mine that appeared in anthologies were originally linked to their Google Books copies. Since these had started behaving strangely, hiding pages at a stretch, I scanned the articles and uploaded them instead. Hence clicking on links provided in the entries for “Awake in the Dark: Philippine Film During the Marcos Era” (2008) and “Philippine Film History as a Site of Postcolonial Discourse” (2000) will now open scanned PDF files of these articles.
• Researchers who need to check inclusive page numbers and other publication info regarding my out-of-print books (specifically The National Pastime , Fields of Vision , and Wages of Cinema ) will find links to scanned PDFs of these books’ essential preliminary pages right before the digital editions’ table of contents. The preliminaries would comprise the title and copyright pages, the book edition’s table of contents, acknowledgments, and preface, foreword, and/or introduction – in short, nearly everything numbered by a roman numeral (visible or otherwise).
May 1 – Sine: 100+ Films That Celebrate Philippine Cinema (co-written with Jo-Ann Q. Maglipon and published by Summit Media) is scheduled for a final-quarter release this year.
April 27 – I delivered a plenary lecture at the International Conference on Ethical Literary Criticism: Celebrating Literature as a Distinctive Ethical Expression, held at the University of Santo Tomas and sponsored by the UST Office of the Scholar-in-Residence/UNITAS Office, in cooperation with the Research Center for Culture, Arts, and Humanities, Faculty of Arts and Letters, Department of Literature, and the International Association for Ethical Literary Criticism. The material I read, titled “Auteurs & Amateurs: Toward an Ethics of Film Criticism,” is posted herewith.
April 22 – I restored an article, “Problems in Philippine Film Awards,” originally a memorandum submitted to my colleagues at the University of the Philippines Film Institute. It initially appeared as an entry in Millennial Traversals but had to be taken out because of its incompatibility with the rest of the contents. It now appears in the “Mega-Meta: A FilmCrit Folio” feature that opens the website’s Remarks section.
April 12 – I have reformatted all the blog’s bibliographic and filmographic listings to feature hanging indentations. This includes the entries in the Reviews and Auteurs & Authors sections as well as in the Chronologically Arranged Listing of Publications special feature.
March 25 – “A Salute to Our Pinay Filmmakers” is a short statement I originally posted on Facebook, in recognition of the innovative contributions of women directors to the local rom-com genre. This entry will be listed in the Remarks section of this website.
March 19 – I wrote the introduction for Two Women as Specters of History: Lakambini and Indigo Child by Rody Vera, titled “Theater, Film, & Everything In-Between,” now listed in the Books section’s Chapters in Anthologies subsection. The book is published by the Ateneo de Manila University Press and may be ordered from the publisher’s website.
January & February 2019
Site maintenance & copyright processes.
December 25 – “Tears Go By” is my review of Mes de Guzman’s Ang Pamilyang Hindi Lumuluha, originally posted on the All Things Sharon fan website.
December 19 – In the interest of providing as much information as I can divulge, I posted a Chronologically Arranged Listing of Publications for people to marvel at how productive (or not) I had been through the years. In this regard, to recognize the perhaps inevitable function of Ámauteurish! as an occasional source publication, I have added the blog as an entry in the Articles list titled Online Publications. I also prepared a provisional self-study titled Empiricals.
December 15 – Just in time for Christmas shopping: my book Manila by Night: A Queer Film Classic can now be ordered overseas directly from its Canadian publisher, Arsenal Pulp Press. The price at this moment is about US$3 less than Amazon’s.
December 3 – The latest revised schedule for publication of SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema is early 2019. Coverage will be the entirety of existent Philippine cinema from the earliest available film to the end of 2018. Toward this end, I deleted the “Short Takes” links in the Reviews and the Auteurs & Authors sections.
November 17 – A report on the final defense (where I was panel member) of the pioneering dissertation by Louie Jon A. Sanchez, titled “Ang Drama ng Ating Buhay: Isang Kasaysayang Pangkultura ng Teleserye sa Filipinas Hanggang 2016 [The Drama of Our Lives: A Cultural History of Teleseries in the Philippines Until 2016],” held at De La Salle University.
November 16 – As plenary speaker at the 3rd Panpacific International Research Conference held in Royce Hotel at Clark Freeport Zone in Mabalacat, Pampanga, I delivered a lecture titled “Condemned Property: Video Piracy as Nationalist Resistance in the Philippines.” The event was sponsored by Panpacific University. Please click here for a posting of the PowerPoint slides.
October 23 – In the intensive social-media interest over Nora Aunor’s exclusion once more from the proclamation of the latest batch of National Artists of the Philippines, I scanned and uploaded Quijano de Manila’s “Golden Girl,” from his out-of-print book Nora Aunor & Other Profiles.
October 18 – Not my first film review of a Sharon Cuneta film, but the first I made of her indie-film project, Mes de Guzman’s Ang Pamilyang Hindi Lumuluha, titled “Tears Go By” and published (another first) in her exemplary All Things Sharon fan website.
October 5 – Finally managed to watermark the videos posted on the blog, most of which appear in the Extras section.
September 8 – The Articles section now leads to a list of my journal publications. All my other articles (for newspapers, magazines, online outlets, etc.) now appear in a section called Non-Journal Articles.
August 31 – A page linked in the Books section dedicated to Manila by Night: A Queer Film Classic, so that the foreign-published monograph contains its own blog feature, like the rest of my sole-authored books.
August 24 – “Signal Rock and a Hard Place” is the revised version of my review of Chito Roño’s film, originally published in the Philippine Entertainment Portal on August 17, 2018. This piece will remain in the Remarks section of this blog.
August 17 – “Signal Rock and a Hard Place” is my review of Chito Roño’s Signal Rock, out today in the Philippine Entertainment Portal.
August 16 – “The Millennial Traversals of Millennial Traversals” is the lecture I read during the launch of the University of Santo Tomas’s UNITAS website. This post will be respectively stored in the Events portion of the Extras section.
August 7 – “Queerness as Defiance in Manila by Night” is the lecture I delivered during the launch of Angela Stuart-Santiago’s project Pro Bernal, Anti Bio (on Manila by Night: A Queer Film Classic), at the Cultural Center of the Philippines. This post will be stored in the Special Folio on Manila by Night (under Texts).
July 30 – “Innocence Regained” is the revised and updated version of my review of Khavn’s Balangiga: Howling Wilderness, originally published in The FilAm on July 16, 2018, as “Amid the Nightmare of War, a Coming-of-Age” (see below). This piece will be stored in the Remarks section.
July 25 – Magsine Tayo!, the website that used to make available an excellent and subtitled transfer of Manila by Night, has been shut down. I will be writing more on this later.
July 16 – “Amid the Nightmare of War, a Coming-of-Age” is my review of Khavn’s Balangiga: Howling Wilderness, out today in The FilAm.
July 14 – My 2015 open-access volume, Millennial Traversals: Outliers, Juvenilia, & Quondam Popcult Blabbery, is now in book form, published as special issues by the University of Santo Tomas’s UNITAS: Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society:
May 11 – A special folio on Manila by Night (1980) now opens the Extras section.
April 16 – Revisions may be found in the blog sidebar (below the page, on a mobile device). The list of metacritical articles is now a boxed feature in the Remarks section, while most of the other features will be found in the newly overhauled Extras section.
April 15 – A Statement on the Availability of Filipino Films during the Internet Era, to be housed in the Remarks section. In connection with this as well as with my Arsenal Pulp Press book Manila by Night: A Queer Film Classic, a newly video-remastered subtitled print of the film may be found at the also new (blog-no-longer) Magsine Tayo website [update: please see July 28, 2018 entry above].
April 3 – The inclusion of journals in either or both the Clarivate Analytics (Web of Science) and Scopus databases, and/or their defunct status, is now indicated via superscripts after the ISSN(s) of each title in the Journal Publications section.
April 1 – SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema, the years-in-the-making Summit Media project with Jo-Ann Q. Maglipon, will now have a target release date of July 2018. Not an April Fools Day announcement, I’m hoping.
March 30 – My contribution to the Roundtable on the Filipino Film Canon of the November 2017 issue of Plaridel (14.2), titled “Muzzled Bombardments: The Philippine Film Canon and Its Discontents,” has come out.
March 29 – Millennial Traversals, the first (as far as I know) non-journal open-access volume in the country, now contains links to an announcement regarding the book’s forthcoming availability.
March 23 – Another category, “Remembrances,” has been added to the browser sidebar (bottom of the page on mobile devices), between Source Exchanges and Filipiniana listings. Among the names featured are Lino Brocka, Johven Velasco, Dolphy, Marilou Diaz-Abaya, and Bernardo Bernardo. [Now transferred to the Extras section – see April 16 announcement.]
March 21 – “Farewell Farewell, Bernardo Bernardo” is the first of a two-part tribute to the recently departed multitalented artist. The second part, also out in the same issue of The FilAm, has been titled “Toward the End, a Hopeful Outlook for the Philippines.” The article itself will be stored in this blog’s Remarks section.
March 13 – “Bernardo Bernardo: Exchanges on Facebook Messenger” is what it says: a compilation of my social-network personal correspondences with the late major performing artist, source of several of my recent output including the book manuscript and its attendant interview of Manila by Night: A Queer Film Classic.
March 7 – The “Source Exchange” I conducted with Jerrold Tarog, in preparation for my review of his 2015 blockbuster Heneral Luna. Plus a surprise entry: a contribution, titled “Parallel Growths,” that I had completely forgotten about, in commemoration of Kritika Kultura’s thirtieth issue.
March 4 – The interview with Bernardo Bernardo, originally titled “Manay Revisits Manila by Night” and published on this blog, is now an Appendix in my Arsenal publication, Manila by Night: A Queer Film Classic (Matthew Hays & Thomas Waugh, series editors). I have replaced the original with a page excerpt from the book.
March 3 – “Source Exchanges,” featuring the discussions I conducted with artists, authors, and producers of reviews and interviews, will now be a section in the blog’s Special Features sidebar (appearing at the bottom of the page on mobile devices). [Now transferred to the Extras section – see April 16 announcement.]
February 28 – Matthew Abaya’s Vampariah, which I had reviewed in January 2017 (see “Peerless Vampire Killers”), is now complemented with a “Source Exchange.” Both review article and exchange will be maintained for now in this blog’s Remarks section.
February 26 – My first book, The National Pastime: Contemporary Philippine Cinema, has been “reillustrated,” with pictures restored from the original print edition, plus a few more from other sources.
February 20 – My first article for the country’s oldest journal, published by the University of Sto. Tomas, is out: “A Certain Tendency: Europeanization as a Response to Americanization in the Philippines’ ‘Golden-Age’ Studio System,” in UNITAS: Semi-Annual Peer-Reviewed International Online Journal of Advanced Research in Literature, Culture, and Society, vol. 29, no. 2 (November 2017), pp. 24-53.
February 7 – A new feature, “Facebook Pages & Groups,” has been added to the Suggested Features sidebar (found on the right side of the blog page in the browser version, and at the bottom of the page on mobile devices). It will be the last entry, located at the bottom portion, after the listing of recommended blogs.
January 13 – Announced as “available” by January 16, Manila by Night: A Queer Film Classic, an entry in Arsenal Pulp Press’s Queer Film Classics series, may now be ordered online via Amazon. The book’s copyright year is nevertheless listed as 2017. At the Extras section, I posted the extensive storyline I originally drafted for the book’s synopsis section, that had to be eventually reduced to one medium-length paragraph.
December 18 – The release dates of two of my book publications, SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema and the Manila by Night monograph, have both been moved to early 2018.
November 11 – The first Glory Awards of the College of Mass Communication Alumni Association of the University of the Philippines: a report with mini-album.
October 26 – “Seeds in the Garden of Letters” is my review of Patrick F. Campos’s The End of National Cinema, published in the July-December 2017 issue of Humanities Diliman. The qualifier I wrote in my Facebook post went as follows: “Essential personal disclosures, aside from the ones in the review: Campos and I were technically non-colleagues at the University of the Philippines Film Institute, since he joined the faculty after I left. Also, as editor of HD, his only participation in this article was in acceding to my suggestion that I review his book; all the editing, proofreading, and peer-reviewing coordination tasks were conducted entirely by HD staff members. In fact I was the one who caught a minor inaccuracy in my first draft – when as book author, he could have been the one to point it out to me. (Which means, whether he read the submission or not, he maintained a hands-off approach.)”
October 7 – Colleagues at the Association of Filipino Educators in Korea, after a lecture-seminar I conducted on Academic Journal Writing and Publication (I’m fifth from the left). I hope to be able to finalize the lecture and upload it eventually.
September 18 – My review of Treb Monteras II’s Respeto, originally published in The FilAm, has been corrected and updated, with the same title: “Film May Be Dead, but Film Culture Is Alive and Well.” Some bases for the corrections may be found in the record of exchanges that I kept: “Source Exchange for Review of Respeto.” For now, this article will be maintained in this blog’s Remarks section.
August 25 – Videos on Ámauteurish! (posted on the Extras page) are now sourced from Vimeo instead of YouTube.
August 18 – “Film May Be Dead, but Film Culture Is Alive and Well” is my review, published at The FilAm, of Treb Monteras II’s Respeto.
August 13 – “Source Exchange for ‘The Transnational Pastime’” is the original material for “The Transnational Pastime: An Interview with Joel David,” conducted by Paul Douglas Grant, a professor of film at the University of San Carlos in Cebu City, and published in the June 2017 (volume 4, number 1) issue of Plaridel.
August 6 – Two-way page jumps are now available for all articles with endnotes. This means the reader may click on an endnote number in the body text to be able to read the endnote; afterward, clicking on the endnote’s numerical indicator will return the reader to her previous position in the body text. This feature will be incorporated in the introduction to this page.
July 17 – I delivered a lecture titled Understanding Film & Culture, from 1:30 p.m. to 4 p.m., at the Bonifacio Hall of the Polytechnic University of the Philippines. The invitation was extended by Evangelina S. Seril (Dean of the College of Arts and Letters) via Gigi Felix-Velarde David, a professor at PUP’s Theater Arts program, who also provided the rather smallish accompanying pic.
July 4 – A 12-page interview article (including an extensive Q&A) by Paul Douglas Grant, a professor of film at the University of San Carlos in Cebu City, titled “The Transnational Pastime: An Interview with Joel David,” appears in the volume 4, number 1 (June 2017) issue of Plaridel, the journal of the University of the Philippines’s College of Mass Communication.
June 19 – In what is turning into a tradition of its own, the scheduled June release of SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema has been moved once more to (at the very latest) early September.
May 16 – I delivered a paper titled “Rusty Arms and Itchy Fingers: A Cultural Perspective on President Duterte’s War on Drugs,” at the 5th International Conference on State Violence and Trauma, sponsored by the Gwangju Trauma Center in Gwangju Metropolitan City, South Jeolla Province, Korea. The conference was part of the 2017 Gwangju Asia Forum and is observed in commemoration of the May 18, 1980, uprising of the people of what was then Gwangju City against militarization and tyranny. A copy of my paper, translated as “녹슨 팔과 가려운 손가락; 두테르테 대통령의 마약과의 전쟁에 대한 문화적 시각,” appears in the proceedings.
April 3a – The Digital Object Identifiers that are available in my list of Journal Publications have now been included as links to their respective publications, following Crossref prescriptions. Articles whose DOIs lead to a paywall will still have alternate links to PDF transcriptions.
April 3b – One further delay, for editorial and production reasons, has resulted in a June target date for SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema. Apologies to everyone who saw March come and go without any trace of the publication.
March 23 – Old material I kept forgetting to upload: the (originally restricted) 1981 UNESCO Technical Report, prepared by Christopher Roads for the Marcos government, on “The Manila National Film Centre,” which provides insights on the origins of the building that would become the Manila Film Center, as well as the agency that would eventually be called the Experimental Cinema of the Philippines. This will be lodged in the Extras section of Ámauteurish!
March 22 – My article, titled “Remembering the Forgotten War: Origins of the Korean War Film and Its Development during Hallyu,” has come out in the February 2017 issue of Kritika Kultura as part of the “Hallyu in and for Asia” forum.
March 8 – I just found out that Amazon has announced on its website my forthcoming book with Arsenal Pulp Press’s Queer Film Classics series, a monograph on Ishmael Bernal’s 1980 release, Manila by Night. The announcement also specifies November 14, 2017, as the book’s date of availability. The Arsenal series is edited by Thomas Waugh and Matthew Hays. The title is also announced on my Amazon book page.
March 1 – Sidebar feature: “These Blogs” provides a background and rationale for the list of websites that appear at the bottom of the Ámauteurish! sidebar. It may be accessed at the sidebar itself, by clicking on the “These Blogs (for Me)” list title.
February 5 – Over five years in the making, the canon project of Summit Media is still on track with its March 2017 release. (I was on board as consultant and author of each entry’s mini-review.) Its title, however, has been modified with a plus sign: SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema.
January 28 – I have uploaded a transcription of my book review of Rolando B. Tolentino’s Contestable Nation-Space: Cinema, Cultural Politics, and Transnationalism in the Marcos-Brocka Philippines, published in this month’s issue of the International Journal of Asian Studies. Please see the Journal Articles section for a note on citing and referencing PDF transcriptions on this blog.
January 27 – I noticed that my How to Use Ámauteurish! blog page had a portion that has become increasingly useful as a stand-alone statement, so I spun it off as a Review & Recommendation Policies announcement.
January 22 – The website appearance of Ámauteurish! has been modified to include a Suggested Features sidebar.
January 13 – My review of Matthew Abaya’s Vampariah, out on The FilAm, is titled “Vampariah as Subversive Aswang Film.”
January 11 – Summit Media’s much-awaited SINÉ: The YES! List of 100 Films That Celebrate Philippine Cinema (wherein I wrote the mini-review for each entry and participated as consultant) will be available in March 2017. Also, an announcement I had missed out on, which came out in the October 2016 issue of YES! magazine, titled “Hurray!”
January 10 – “Distinguishing the Film Critic from the Reviewer,” an interview article by Vanessa B. Ira, published in March 1991 in the Times Journal and originally arranged by Anvil Publishing to publicize my first book, The National Pastime. This will be listed as a 1991 entry in the Extras section.
January 7 – I added a timeline of events in Philippine history and cinema to the “Annual Filipino Film Production Chart,” originally uploaded about a year ago.
January 3 – Mauro Feria Tumbocon’s summary of Philippine cinema circa 2016, titled “2016: Amazing Year for Filipino Cinema, New Grounds Broken,” published in GMA News Online. Vital for taking a global perspective, Mau being the founder and director of the San Francisco-based FACINE, which holds the longest running Fil-Am film festival.
December 13 – I have decided to introduce a new section, titled Remarks, where my previous – and future – commentaries will be compiled. It will appear as one of the Menu options in Ámauteurish!
November 22 – “Transcription Chapter,” a PDF file scanned from Hermie Rotea’s Marcos’ Lovey Dovie (Los Angeles: Hermie Rotea, 1983). Uploaded in the interest of historical documentation.
November 5 – As the final extensive revision (or so I hope) in Ámauteurish!, I adjusted links to open articles and enlargeable pictures in new tabs.
October 23 – “The Role of the Film Critic in Cultural Discourse” is an abridged version, published in TheFilAm, of the 2016 FACINE Gawad Lingap Sining Lecture (see preceding post, immediately below this one) that I delivered on October 18 at the City College of San Francisco.
October 19 – “Cold Word Wars: Philippine Film as a Critical Activity” is the 2016 FACINE Gawad Lingap Sining Lecture that I delivered yesterday at the Diego Rivera Theater, City College of San Francisco; to be listed in the Remarks section.
October 10 – The website of the 23rd edition of Filipino Arts & Cinema International included an announcement of the Gawad Lingap Sining (Culture Nurturer Award):
September 23 – The Kritika Kultura website has been revised, links on this blog have been updated.
September 2 – I just managed to confirm today that the website of Kritika Kultura is being revised. This means that certain recent publications I have listed on this blog might not show up. I will be checking occasionally and announce when the site is functioning properly once more.
September 1 – “Fallout to ‘A Lover’s Polemic’” is my account of “A Round Table Discussion on Poetics and Practice of Film Criticism,” as published in the recently posted vol. 13, no. 1 (2016) issue of Plaridel: A Philippine Journal of Communication, Media, and Society. In relation to this, I have uploaded, as a one-time previously unpublished blog entry, a review of Marie Jamora’s Ang Nawawala [What Isn’t There] (2012), titled “Searched For, But Not Missing.” Both of these will be lodged in the Remarks section.
August 30 – The Facebook page of FACINE (Filipino Arts & Cinema International) has announced a lecture I will be delivering, as recipient of FACINE’s Gawad Lingap Sining (culture-nurturing award), on October 18, 2016, at the Diego Rivera Theater, City College of San Francisco (co-presented by FACINE, PAWA and the Philippine Studies Department, CCSF through its Chair, Prof. Lily Ann B. Villaraza).
August 18 – The release date of Summit Media’s SINÉ: The YES! List of 100 Films That Celebrate Philippine Cinema has been moved from late 2016 to early 2017. To those who’ve been awaiting the publication, thanks for your patience.
July 22 – My inclusion in the International Board of Editors of Ateneo de Manila’s Kritika Kultura was confirmed today. KK is the Philippines’s only humanities journal that is listed in the Thomson Reuters Institute for Scientific Information (in the Arts and Humanities Citation Index) and Scopus, and is indexed by the Modern Language Association of America.
July 14 – “In Ma’ Rosa, Cannes Best Actress Jaclyn Jose Plays a Meth Dealer with Eloquence, Warmth” is my review of Brillante Ma. Mendoza’s latest release, published in The FilAm. This has been incorporated (as “Ice with a Face”) in the New-Millennium Pinoy Film Reviews section of Millennial Traversals.
July 2 – “Doy del Mundo on a Controversy over Maynila: Sa mga Kuko ng Liwanag” is a source interview for my article “Thinking Straight: Queer Imaging in Lino Brocka’s Maynila (1975),” published in the August 2012 issue (volume 9, number 2) of Plaridel: A Philippine Journal of Communication, Media, and Society. A PDF copy of the article (with a brief introduction) that generated the controversy can be found here. This feature will appear as a 2012 entry in the Extras section, and will be cited as well in the Journal Articles page.
June 19 – I have started uploading entries to Google Scholar, with a link to Amauteurish! Since my pen name turns out to be fairly common, I’ll be providing a link at this website’s About page (you can find it here as well). The citation results so far appear as follows:
June 7 – The letter of recommendation written for me in 2007 by my dissertation adviser Robert Sklar, who died in an accident four years later (before I managed to acquire tenure at my present university). This will be listed in the Extras section.
May 21 – Karl Castro, a former student and one-time film director of mine (for Manwal sa Paggawa ng Pelikula [Manual for Filmmaking], a 2008 short feature), will be holding an exhibit titled “The Secret Lives of Books,” opening today and running until June 8 at the Ayala Museum in Makati City. One of the items is a mock-up of Millennial Traversals, whose cover he designed:
May 15 – My take on the recently concluded Philippine presidential elections, titled “How Pop Culture, Social Media Played a Role in Halalan 2016,” published in The FilAm; to be listed in the Remarks section.
March 11 – A formal letter I wrote to “Colleagues in the Graduate Faculty” at Southwestern University, regarding controversial Filipino boxer Manny Pacquiao. This will be listed in the Remarks section.
March 8 – Remembering/Rethinking EDSA, edited by JPaul S. Manzanilla & Caroline S. Hau, has just been published; contains an essay I wrote, titled “Grains & Flickers” (pp. 172-87), on the exceptionally enlightened film policy of the Marcos regime, far and away its only overall-positive achievement in culture. Orders may be placed at the Anvil [currently under renovation] website or at Amazon.
February 25 – “Annual Filipino Film Production Chart” plots the number of films produced per year in the Philippines, along with sources and a short description. I’d made variations of this chart for some of my publications since 2002, but with this illustration (with data updated to 2015), I’ll be listing it under 2016 in the Extras section.
February 18 – “Artists, Cultural Leaders Speak Out against Pacquiao’s Words”: one of several short statements solicited by GMA News Online. The complete text is: “The tragedy of Manny Pacquiao is a magnified version of the situation that confronts Filipinos who aspire for a better life and who manage to achieve it, usually by working overseas: Filipino culture (including the educational system) fails to prepare the citizens for a life of privilege and leisure, and allows or even encourages them to fall back on pre-scientific belief systems. Pacquiao is correct in saying that his statements appear in the Bible. What he overlooks is the fact that those prescriptions were made for a specific place and time, roughly the desert culture of 3,000 years ago. It may be a simple process of deduction for a few educated people to realize that the difference between then and there on the one hand, and here and now on the other, is tremendous. However, the fact that the tools necessary for Pacquiao to take that fairly simple step were unavailable to him should be the shocking realization, the wake-up call, for the government’s responsibility in fostering a scientific and material approach to Filipino culture.” To be featured in the Remarks section.
February 10 – “Roads Less Traveled” is my review of Ellen Ongkeko-Marfil’s Lakbay2Love, published in Rappler; this will also be the final addition to the New-Millennium Pinoy Film Reviews section of Millennial Traversals. “Beginner’s Luck” is a semi-permanent listing of suggested postings, found at the beginning, which is the geographic bottom, of this page.
January 15 – Nerd-whopper’s delights. The sequence list of Malvarosa (dir. Gregorio Fernandez, 1958), which I prepared for my dissertation; this is listed in the Extras section. Also, a PDF of the Spanish version (translator unknown) of “The Golden Ages of Philippine Cinema: A Critical Reassessment,” titled “Las edades de oro del cine Filipino: Una reevaluación crítica”; this appears in the Chapters in Anthologies section of the Books menu.
December 20 – “My Big Fat Critic Status” – draft of a letter I submitted to the Manunuri ng Pelikulang Pilipino (Filipino Film Critics Circle) in 1985, requesting for a less-active status, meaning non-participation in the annual awards exercise. This entry will be archived in the Extras section.
December 19 – “Intrigues, Maneuvers, Interventions: Screen Images of the Korean War and Its Aftermath” – keynote lecture for the opening plenary session of the fourth Philippine Korean Studies Symposium (November 10, 2015, at the University of the Philippines in Diliman, Quezon City). Published in 4PKSS (Philippines-Korea in the Changing Asia: Drawing Connections): Proceedings of the 4th Philippine Korean Studies Symposium (Quezon City: University of the Philippines Department of Linguistics, 2015): 4, 25-49.
October 15 – “Historical Film Depicts Antonio Luna’s Fall and Rise,” my review in The FilAm of Jerrold Tarog’s historical epic Heneral Luna. Plus an added treat, exclusively on Ámauteurish!: a review (written in 2009 and listed in the Extras section) by Jerrold Tarog of his mentor Johven Velasco’s Huwaran/Hulmahan Atbp.
September 21 – Ateneo de Manila University’s Kritika Kultura 25 (August 2015) features “Forum Kritika: Nora Aunor and the Philippine Star System,” the first peer-reviewed collection of articles on Philippine movie stardom; includes an essay of mine, “Firmament Occupation: The Philippine Star System,” which culminates in a reading of Aunor’s rarely seen Greatest Performance.
September 3 – The Philippine Film entry (last, meaning chronologically first, in the “Chapters in Anthologies” section of the Books menu) now contains PDF copies of my listed CCP Encyclopedia of Philippine Art articles. [Warning to researchers: said articles had been co-written, relied on dated auteurist perspectives, and were occasionally outright erroneous.]
August 30 – The complete initial (and only) issue of SineManila, published in 1983 by the Public Relations Division of the Experimental Cinema of the Philippines, with pages properly rescanned. Along with Focus on Filipino Films, this feature will be lodged in the Extras menu, as the very first (meaning the very last) entry.
August 28 – “Alien Abjection amid the Morning Calm: A Singular Reading of Horror Films from beyond Southeast Asia” (co-written with Ju-Yong Ha), out in Plaridel.
August 10 – Educators, students, and intrepid laypersons who wish to conduct a selective reading of my sole-authored books might find some use in Book Texts, a sampler I prepared.
July 23 – My newest book, Millennial Traversals, is now out. Exclusively available as an open-access digital compilation on the Ámauteurish! blog.
June 23 – “Local Film Reviews – New Millennium” is a self-described compilation (with short intro) of material I wrote since my return from graduate studies. The entries under the Reviews and Auteurs & Authors menus will now point to blog postings like this, while the entries in the Articles menu will continue leading to the original online publications for as long as the links remain active.
June 22 – The brochure prepared for the second edition of the Manila International Film Festival in January 1983, titled Focus on Filipino Films; the event comprised 24 films released within the period 1951-82, selected by a screening committee, from which new subtitled prints were made. This feature will be lodged in the Extras menu, as the first (i.e., bottom-most) entry.
March 5 – A clutch of uneven “Commentaries.”
February 26 – An early – in fact, my first – scholarly article, “Reflections on a National Pastime,” published in the now-defunct Philippines Communication Journal and unseen since then (by me, among others), till now.
February 11 – Two just-completed sections, one before my National Midweek stint and the other during & after, comprise print-era film reviews from various sources, previously unanthologized in any of my book publications.
January 15 – A special issue on “Media and the Diaspora,” co-edited with Violeda A. Umali, has been finalized in Plaridel: A Philippine Journal of Communication, Media, and Society 11.1 (February 2014). Includes an article, “Phantom Limbs in the Body Politic: Filipinos in Foreign Cinema,” based on the first Kritika Kultura Global Classroom Lecture of Ateneo de Manila University’s Department of English.
October 27 – PDF transcriptions of my Asian Journal of Women’s Studies articles may now be downloaded from this site. For those with the resources, kindly subscribe to AJWS, via Ewha Womans University’s Asian Center for Women’s Studies. [And no, “Ewha Womans University” is not an error.]
August 5 – “A Critical Consideration of the Use of Trauma as an Approach to Understanding Korean Cinema” (co-written with Ju-Yong Ha); my first scholarly foray into Korean cinema, published in Asian Studies: Journal of Critical Perspectives on Asia.
June 23 – “Nora Aunor: A National Artist We Deserve” – a reprint in Rappler of the June 21 article from The FilAm, on the Philippine President’s rejection of the National Commission for Culture and the Arts’s endorsement of multimedia star Nora Aunor; first published a few hours after the official confirmation of the now-infamous snub.
June 13 – The National Pastime (complete & updated); Ámauteurish! goes live.
June 2 – “Ethics First.”
May 4 – “Ten Best Filipino Films Up to 1990.”
April 25 – A new feature, Reviews, has been added to the banner menu. It lists reviewed films and books alphabetically, according to titles as well as according to directors or authors.
April 24 – “A Second Golden Age.”
April 23 – Books, listed according to sole authorship, edited volumes, chapters contributed to anthologies, and papers in proceedings.
April 21 – Wages of Cinema (complete & updated).
April 17 – “The ‘New’ Cinema in Retrospect.”
April 12 – “Ordinary People: Movie Worker,” an account of short-lived film-industry experience.
April 5 – “National Midweek Output (as Resident Film Critic),” which provides a background to my National Midweek stint as well as a comprehensive (reverse-chronological) list of articles.
March 19 – Some striving-for-controversy stuff: “How to Become a Film Critic” (written when critics were still sensitive to criticism, but before I was actually ready to perform full-on bashing) and “The Fantasy World of Rey de la Cruz,” the last major interview (as far as I could tell) with the controversial and definitely murdered star-builder, which brings up in passing his even more controversial and…allegedly suicidal ward, Pepsi Paloma.
March 18 – The full transcript of an interview that was eventually highly condensed for publication: “Critic in Academe: Bienvenido Lumbera” will be a good bet to remind us that someone once walked tall among us.
March 17 – “The Golden Ages of Philippine Cinema: A Critical Reassessment,” which is an attempt to question the Golden Ages concept (that I had once been complicit in validating).